Tag Archives: Mark Rayment

The Sound Of Music @ Hong Kong Academy of Performing Arts review

the sound of music hong kong

The hills are alive…!

When it comes to the opening lyrics of musical numbers, I’m not sure there are any quite as stirring as those of The Sound Of Music. Come on, you’re singing it already aren’t you?

Landing in Hong Kong for a month-long run, Lunchbox Productions’ version of The Sound Of Music is a pretty faithful retelling of the Rodgers-Hammerstein stage musical turned Julie Andrews-starring movie classic. However, it’s worth remembering that this is a staging of the original theatre script (specifically Andrew Lloyd Webber and David Ian’s 2006 revival where the role of Maria was cast on a BBC TV reality show) and not the movie – although it has been rejigged to include two numbers written especially for the film, I Have Confidence and Something Good. In comparison to the nearly three-hour long film, the script’s pacing does feel a little uneven – dragging when it comes to the songs by Max and The Countess that were excised from the movie, rushed when it comes to the speedy second act where love, marriage, Nazis and the Von Trapps’ escape are all dealt with in swift and rather abrupt fashion.

the sound of music hong kong Carmen Pretorius

Nevertheless, Carmen Pretorius makes for a fantastic Maria; in the wrong hands, this character can easily become a saccharine-sweet goody-two-shoes but Pretorius brings a warmth, fun and sense of mischief to the part – and all with the most beautiful voice that rings through the Lyric Theatre as clear and perfect as the bells at Maria’s abbey. I was less convinced by Mark Rayment’s Captain Von Trapp – he felt a little bland and unyieldingly stiff to me and I didn’t detect much chemistry between the two leads either.

But the children, a rotating cast selected from local schools, more than make up for it. They’re uniformly excellent, executing the musical’s sharp choreography and layered harmonies flawlessly, and making complicated numbers like So Long Farewell, The Lonely Goatherd and show highlight Do-Re-Mi an absolute joy. I also enjoyed Hugh Osbourne as wily music impresario Max Detweiler; providing the show’s more humorous moments, he manages to convey the character’s spineless scheming nature whilst remaining likeable too.

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Agatha Christie’s The Mousetrap @ HKAPA review

It has been a long-time dream of mine to go see Agatha Christie’s The Mousetrap, the longest running play in the world ever, in the West End. Given I have now upped sticks and moved to Hong Kong, this ambition was seeming ever more unlikely… but luckily for me, a production decided to come over here to the HKAPA instead!

I say ‘luckily’ but actually I’m now not too sure. This 60 Year Diamond Anniversary touring show by Lunchbox Productions (the chief stagers of global productions in Hong Kong, including Grease and Chicago) turned out to be rather average with precious little West End sparkle – and now I know ‘whodunit’, if I should ever make it back to the British original in St Martin’s Theatre, it just wouldn’t be quite the same as seeing it for the first time.

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