Pawn Again: views from The Roof Garden @ The Pawn

Posted on October 27, 2010 | 2 comments

When I used to work in Wan Chai, my colleague and I used to dawdle about the streets until the dying seconds of our lunch hour, bemoaning the lack of pleasant public spaces in the area where we could sit and avoid returning to the office for as long as possible. Little did I know that one such place did exist and could have saved us from being harangued by strippers and grimacing over grotty tattoo parlour displays in the streets of WC.

The Roof Garden (and yes, those are real plants and they’re gorgeous), on the third floor of The Pawn restaurant, is a quiet haven from the heaving hubbub of Wan Chai. It offers spectacular views over the city, a chance to drink in the different styles of architecture and savour the fact that somehow, a little piece of old Hong Kong has been preserved. Admittedly, preserved by becoming a set of swanky restaurants, but preserved nevertheless.

Photo contrasting the old Woo Cheong Pawnshop with the new development, from HK Man’s Flickr, which you need to check out like, now. Hundreds of amazing photographs like this comparing old and new HK.

The Pawn occupies the former premises of century-old Woo Cheong Pawnshop (hence the name), a set of four tenement houses (known as “tong lau”) originally built around the turn of the 20th century. “Tong lau” were unique to Hong Kong and Southern China, balcony-type shophouses featuring a mixture of Chinese and Western architecture, where the ground floor was usually devoted to a family business whilst the upper levels were residential. These ones have four stories, with high ceilings, French windows to the balconies, verandahs facing Johnston Road and other typical Tong Lau features that you can see in some of my photos, like the balustrades and decorative urns on the roof, which have been restored and revitalised. Columns on the ground floor supported the upper levels, forming a covered pedestrian arcade – a feature more HK buildings today could do with, saving us from the beating sun and dripping air cons!

Another nice little detail – the shophouses did not have toilet provisions. Instead, the “nightsoil” was collected by government scavengers at night from the pail latrine (i.e. a bucket). How do I know all this stuff? Well, upon visiting the Roof Garden, you’re met by an attendant from the Urban Renewal Authority (who bought the building in 2003 and helped restore it), bearing a pamphlet snappily entitled “Welcome to The Pawn Roof Woo Cheong Pawnshop Building Cluster”, full of such interesting facts and photos! Apparently, this was a response to The Pawn not exactly encouraging non paying-customers to enjoy the Roof Garden but I certainly had no such problems on my visit. Sadly, the attendant didn’t speak much English so couldn’t answer any of my other questions – like whether some of the racks on the roof were actually from the Woo Cheong Pawnshop itself (they definitely looked rusty enough!).

The preserved terrazo front sign for Woo Cheong Pawn Shop

It’s easy to get frustrated with Hong Kong’s attempts (or lack of) at historical preservation. Many old buildings have ceded to anonymous modern developments already and it always seems to be an uphill battle to prevent sites of historic interest from being ripped apart and swiftly following suit. Although it isn’t exactly ideal that these century-old tenements have survived as a luxury commercial development sold to the highest bidder (with Woo Cheong shunted out elsewhere in Wan Chai to make way for them), I’d rather concentrate on being happy that it’s survived at all, that a stunning part of it is easily and freely accessible to all and that The Pawn has put real effort and thought into making the most of its setting and history (review of the restaurant itself here!).

[And what with The Press Room Group paying homage to the pawnshop, having previously done so with The Press Room itself (its name references the Overseas Chinese Daily News / Hua Qiao Daily newspaper, the 1920s residents of that building), perhaps they’re getting a taste for this kind of thing?!]

View showing the orange lift going up the side of the Hopewell Centre, which at the time of its completion (1980) was the tallest building and first circular skyscraper in Hong Kong

As for the Roof Garden – well, the pictures speak for themselves, don’t they? (As ever, click for enlargements.) It’s a spot of serenity with absolutely breathtaking views and a humbling sense of heritage. (And it would be absolutely great for a private party as well, they have a bar and everything!) There is also a small computer screen attached to one of the columns downstairs as part of the Wan Chai Heritage Trail (quite how it hasn’t been carted off by some hobo yet I’m unsure) which details some of the history of the area – including jaw-dropping maps showing how much land has been reclaimed. Basically, I’d have been standing in the sea!

Amazingly, we also had the place all to ourselves for the entire duration of our visit – so get yourselves down there before everyone else gets clued in and savour this hidden oasis set in the midst of our concrete jungle.

Ding-ding!

Photos showing the redevelopment and restoration

The instantly-recognisable HK pawn shop logo. Wikipedia reckons it represents a bat (signifying fortune) holding a coin (signifying benefits). The character in the middle is the symbol for pawn shop, the two upper characters the name of the family who own the shop.

Roof Garden, 3/F The Pawn, 62 Johnston Road, Wan Chai.

For more information and photographs about the restoration and preservation of 60-66 Johnston Road, check out the Urban Renewal Authority’s website here.

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Zoya Bekka nail polish review

Posted on October 24, 2010 | Leave a comment

Ever wish that nail polish manufacturers had a direct hotline to your imagination, so that the perfect colour you envisage yet are never quite able to find actually becomes reality? Well, it seems someone at Zoya has such a hotline, because Bekka was exactly the colour I was looking for.

Ever since I saw the video for Pixie Lott’s Boys & Girls (below and still my favourite song of hers, by the way), I’ve been madly in lust with the fluorescent yellow nails she sports whilst whipping out a pinkie-perfect dance routine. Admittedly, over a year is quite a long time to be hung up over a nail colour and it had thus developed mythical properties in my mind. After torturing my boyfriend by umming and ahhing over various yellows in Cher2 for several agonising minutes (too yellow… too neon… too pale… not yellow enough), I eventually settled on Zoya’s Bekka, despite it having a gold glitter in it.

When I got back into the nail polish groove, I made several promises to myself and one was: NO GLITTER. I just felt it was too immature, reminded me too much of playing dress-up and, from what I remember, was a total pain to clean off. But Bekka was the colour that most closely resembled the edgy fluro yellow in my mind so I put my prejudices aside and gave it a go – and thank God I did, because it was a gamble that paid off.

Firstly, a bit about Zoya itself. Not a brand I’d heard of before and at $80, the most expensive in Cher2, despite seeming to have the dinkiest bottles of the lot. It’s formaldehyde, toluene and dibutyl phthalate (DBP) free, which is a very good thing indeed as I’ve since discovered this ‘Big 3’ of nasty-sounding nail varnish chemicals can, amongst other concerns, cause severe allergic reactions. The brush is more of an Essie than an OPI, i.e. smaller, thinner and much easier to use (for me, at least). In fact, I’d say it’s my favourite brush so far. Thin enough to get into the nooks and crannies, fat enough to cover the nail nicely, whilst the way the brush fans out ensures pretty perfect coverage with minimal mess.

But onto the colour. It was PERFECT. Though I was dubious about the colour in the bottle, it looked exactly as I’d imagined in the flesh (or should that be on the talon?!). It was a light, bright, eye-catching yellow with just the right amount of fluorescent to it, boasting flashes of lime green undertones. Unlike so many of the yellows I had seen, it was neither sunny, buttercup-y nor highlighter pen-y, but instead the perfect shade of lemon-lime I’d been hoping for. Zesty, edgy and super cool. Even the much-feared gold glitter turned out to be nice – a subtle shimmer that enhanced the colour, made it less flat-looking and was only noticeable if you really got up close and personal with it. And it wasn’t a total pain to clean off. Pixie would be proud.

However, the consistency was thin and streaky, with at least three coats needed for even opaque coverage. If you’re a perfectionist, you might even need four. Although initially impressed with how quickly it dried, a word of warning – even when it’s totally dry to the touch, it’s still alarming susceptible to smudges, knocks, scratches and dents, so be delicate! But the best thing is, once it’s there, Bekka doesn’t budge. It remained chip-free even when I eventually removed it, seven days later.

It’s an unusual colour that just exudes cool. When it looks good with something – which it does surprisingly often – it doesn’t just look good, it looks great. Expectedly, it looks awesome with black but also with other dark shades, like navy, aubergine and grey. More suited to nights out than high tea and distressed tees than prom dresses, I think it’s a brilliant alternative for people who don’t want girlie shades but are bored of always going for dark colours.

Of course, when I later re-watched Pixie Lott’s video, I wasn’t sure her nails looked anything like mine after all. But you know what? I think I like mine better anyway.

Looks good with: dark colours, vintage look t-shirts, nights out, dancing shoes
Drying time: 3 mins (but be delicate!)
Coats required: 3-4
Chips: +7 days

Zoya Bekka nail polish, Summer 2008 Chit Chat collection, $80, Cher2

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Little Sheep, HIPOT, Mou Mou Club and Gyu Yin hotpot restaurant reviews – top of the pots!

Posted on October 20, 2010 | Leave a comment

Is it wrong that I define my seasons more by food than the colour of leaves on trees? If summer’s all about salads, ice cream sundaes and sizzling barbeques in the sun, then the arrival of autumn makes my mouth water over the prospect of hearty stews, heart-warming curries and now I live in Hong Kong, hotpot.

In England, hotpot is normally of the Lancashire kind, filled with day-long baked mutton, root vegetables and lashings of gravy. But any Brit wandering into a Chinese hotpot restaurant expecting more of the same will be in for a shock!

As with most of the best Chinese eating experiences, having a hotpot is best done as a communal experience. As many people as possible gathered round a steaming pot of stock into which goes… nearly any type of food you can think of! Seriously, we aren’t fussy. Meat, fish, seafood, veggies, dumplings, tofu, noodles… if it can be cooked, chuck it in! And if you aren’t too sure… well, chuck it in anyway!

Everything comes dished up to you raw and it’s down to you to do the cooking by submerging the items in the boiling soup base. Consequently, all the meat is sliced see-through thin and the fattier, the better to keep it as tender as possible. [As someone who’s lived my life picking all traces of fat off my meat, this came as a bit of a shock but trust me, it cooks beautifully and doesn’t go rubbery or chewy as you might expect.] You also get a choice of stock, from the bland to the spicy, and different sets of chopsticks for handling raw and cooked food (although I’m terrible at remembering to do this as I’m in such a hurry to get the grub in my gob). No need to painstakingly let the waiter know your dietary requirements or your life-long hatred of fungi – if you don’t want it, don’t cook it. Simple as that.

The most traditional hotpot restaurant I’ve been to is Little Sheep, a franchise so huge that you can even buy their own branded hotpot stock from supermarkets. Here, the huge metal pot is sunk into the middle of the table with a Lazy Susan round it, so everyone mucks in, cooking bits either for themselves or leaving them to stew for communal consumption! It all gets a bit hot and steamy so they even put covers over your chairs (and coats hanging on the back of them) to prevent you getting too much hotpot vapour on your stuff!

This place has a banquet feel and is definitely one for parties or family gatherings. As a result, there were masses of beautifully-presented items to choose from – my favourites were the huge variety of different meatballs and these amazing tofu spheres that started out crispy (like latticed batter) but once submerged, collapsed in on themselves to become a gooey delicious mess. The best thing is that even though you only have one pot between everyone, it’s divided into two sections so you can get two different soups going on – especially useful if you’ve got some spice fiends and others that spontaneously combust on the sight of the stuff. We seemed to have endless platters of food arriving and in the end, it only came to about $100 each. The meat if top quality and apparently, staff sometimes answer the phone ‘Baaa! I’m a little sheep!’ What’s not to love?

Little Sheep is styled after Mongolian hotpots, but Japanese hotpots are increasingly gaining in popularity here. Also known as shabu-shabu (Japanese for ‘swish swish’ to describe the sound of stirring stuff in the pot) or suriyaki, the two restaurants I’ve tried offered buffets rather than set platters (see above), with the hotpot a saucepan brewing on an electric hob in the centre of your table where you control the heat (see below), rather than the huge metal vat boiling away at Little Sheep. Given the cost of all-you-can-eat, plus side platters of fatty beef/pork, the choice and quality of ingredients is a little lower. Cocktail sausages, fish balls, leafy veggies and different kinds of bean curd, mushrooms and noodles are the main players. You also get a sauce bar (see above), where you fill a dish with whatever condiments you choose, most notably chilli, garlic and spring onions (and you can never go wrong with extra soya, right?) to dip your food in after cooking. Although I saw one person chucking their dishes of sauce into their hotpot, so anything goes. There is also a time limit, normally of an hour at lunch, 90 minutes at dinner.

At Mou Mou Club, we opted for the spicy soup base, which was really moreish, even if it did boast a bit of a kick! Their beef was an absolute delight as well – really flavoursome and tender – and it came piled high! The price varies depending on the quality of meat you pick and whether you’re content to stick to just one platter or want the option of getting more. Including a soft drink, it came to about $100 and there’s also all-you-can-eat ice-cream, including lots of toppings destined to take you back to your childhood. And everyone knows that rainbow sprinkles make everything better. Alas, no-one saying ‘Moo! I’m a cow!’ here though.

Over at Gyu Yin, it was much of the same. Their buffet was a bit better stocked but there was a bit less beef for your buck and our choice of soup base was bland. But the main draw of this joint (also coming in at around $100) was an unlimited supply of Häagen-Daazs ice-cream in four different flavours, which change regularly. My dining companion and I had absolutely no compunction in cutting short our stewing time to devote ourselves to dessert – and wielding that ice-cream scoop was a bit of a work-out, let me tell you!

My favourite, however, is HIPOT (which was the banner photo). This seems to be a fusion of all styles of hotpot (bar Lancashire) with a HK twist – there’s the Japanese array of dipping sauces yet also a more eclectic range of soups and ingredients. I absolutely adore their satay soup, super-tasty, just that little bit spicy and with that unique satay taste. Perfect for those like me who want a bit of a kick without having our socks blown off, it’s wonderfully moreish and the flavour really seeps into your food. But there is a stock for every taste, from the more aromatic mild coriander to the super-spicy ‘devil’ brew!

You can either opt for a set platter or individual dishes, ordering them like dim-sum. I had a set for lunch (a bowl of veg, a bowl of your choice of noodle and a bowl of ‘other’) and added a plate of beef extra, which still came to a quite ridiculously-cheap $58. The beef was surprisingly good, given its cost (although I could have done with another plate) and I really loved the dumplings. The yellow-and-white striped one was cheesy and creamy and generally lush. There was also a yummy veggie one and although the prawn/shrimp/crab ones looked a little dubious, they tasted lovely and the sweetness of the meat really came through. I gave the dry and unloved looking seafood a miss though, especially as it tends to overcook and get tough easily (especially if you forget about and later discover a rubbery lump at the bottom of your pan).

I also went a la carte at dinner and even with twenty or so dishes headed at our party of four, it came to just under $100 each, including an unlimited flow of soft drinks and juices of your choice. I’d highly recommend their range of bean curd (the wrinkly tofu skin becomes chewy milky deliciousness upon getting the hotpot treatment), the fish balls, the prawn dumplings and the smaller slices of fresh beef. Sorry I can’t be more exact but here we come to HIPOT’s downfall – the menu is only in Chinese! So I’m not sure if we ordered the wrong thing, but that night, the fatty beef was really tough and grisly whereas the ‘fresh’ beef was much nicer.

The real bonus about HIPOT is that you all get individual saucepans, which is great if you have a vegetarian in your midst or fancy trying a few different stocks. For those hygiene-inclined, it also means you are less likely to be sharing your germs with the entire table! It’s great for mulling over, having a chat and getting gradually full as you go, although you might initially be a bit pushed for space on your table!

[In general, I also can’t get enough of having udon noodles in hotpot. There’s just something about their fat, chewy, slippery unctuousness that tastes extraordinary in hotpot.]

So Hong Kong hotpots are cheap, tasty, filling and fun. With autumn well and truly here, there’s only question – what are you waiting for?!

– See all branches of Little Sheep in Hong Kong here
– See all branches of Mou Mou Club in Hong Kong here
– See all branches of GyuJin in Hong Kong here
– See all branches of HIPOT in Hong Kong here

 

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A Tamagotchi is for life, not just for Christmas

Posted on October 19, 2010 | 6 comments

Remember the Tamagotchi craze that swept schools in the late 90s? Back in the day, there was barely a rucksack that wasn’t making beeping noises as some cyber-pet demanded having its poo swept up. Like all good fads, it died out as soon as I’d actually managed to get my hands on one (… or seven), elbowed out by another set of strange Japanese creatures (Pikaaaaaaa-chu!) but now in Hong Kong, it seems to be undergoing a bit of a revival and lots of my kindergarten kids had them.

Admittedly, we’re now on something like Version 629 of the Tamagotchi and in an effort to keep up with the kids, it’s evolved a bit since the simple days of my childhood version. I seem to remember an endless routine of feeding, playing, cleaning up poo and occasional beatings, whilst the paltry reward for your efforts was seeing the creature run off once it had grown-up. Ah, the joys of being a parent! But these days, it seems looking after your cyber-offspring is a lot more challenging.

I spotted a half-price Version 452 in my local Ella (home of novelty tweezers and windmill pens) and in a mixture of impulse and nostalgia, snapped it up. I told my boyfriend it would be like one of those projects they get feckless teens to do at school, where they make couples look after toy babies to show them the realities of parenthood (and given the amount of Coca-Cola my boyfriend drinks, there’s all likelihood of his baby looking just as alien as a Tamagotchi). So we got home, unwrapped the Tama and yes… things have definitely changed since my day.

Here are the instructions. Reminder: it has three buttons.

Nowadays, Tamagotchi has to go through intensive schooling, with different stages of kindergarten, school and finally, job interviews leading to actual employment (already one up on me then). You have to keep the little sod entertained with five different types of game, all as boring as each other. There’s a shop, where you can buy overpriced pencils, balls and building blocks that Tamagotchi just stares at nonplussed until you offer to play one of the boring games with it instead. He’s a sophisticated soul, eating sushi, checking his mailbox, going on holiday and even sending a postcard along the way. But it’s not all wine and roses in Tama-Town (and yes, there is a Tama-Town, more of which later) – there are thieves, someone sends you poo in the mail (!), he can get ill, lonely and fat and yes, he still defecates an awful lot as well.

These days, infra-red technology means you can connect with other Tamagotchis and make them your friends but alas, I didn’t know any other twentysomethings attempting to relive their youth in the silliest way possible. Chinese culture being what it is, I was soon being pestered by some old crone who didn’t want my Tama being left on the shelf, desperate to match-make her with some other Billy No Mates. Refuse too often and your Tamagotchi dies of old age (insinuation: sad lonely spinster); allow the match and your baby will soon have a baby of its own! Which, showing a bit less responsibility than you’d hoped you’d instilled in its upbringing, it abandons after a day for you to begin a new cycle of feeding, playing and poo-sweeping. It’s the circle of life and it moves us all!

The most amazing thing about Version 391 is that you take your pet to visit Tama-Town online. This is a place that looks more happening than my hometown – you can buy stuff, play at the arcade, go visit your old school and family (i.e. your original pet that ran off once it found love) and pay your respects to the King. In a feat of technology that I haven’t quite worked out but that Japanese children probably master before learning their times table, the website knows what creature your Tamagotchi has evolved into it and even has a record of its name. Spooky stuff.

Anyway, I named our first offspring Juicy – a bit porn-star but the boyfriend’s best suggestion was something involving Coke and I’m working with a 5-character limit, people! – and so the cycle of feeding, sleeping and pooing began. So exhausting was the level of care and attention I lavished on our newborn that I fell asleep; upon waking, my boyfriend told me it had been beeping. ‘Did you see to it?’ *Shrug* When my boyfriend eventually left, I tried to persuade him to take the Tamagotchi with him. How was I supposed to look after it at work? *Shrug* Hmmm… I see a pattern forming…

My colleagues were slightly bemused with my new toy and I had to keep sneakily feeding and poo-cleaning during my working day, but eventually Juicy grew up to be one of the prettiest Tamagotchis in the manual. ‘Is it a cat?!’ my colleague asked, squinting at the strange alien that seemed to have flowers for ears. But eventually, the old crone matchmaker practically set up shop on the postage-stamp sized screen, so I gave in and married her off.

Like mother, like daughter?

By the time she’d given birth, the novelty had worn off, even if this was Version 897. Looking after the new baby was a hassle, I’d named it in a hurry at work meaning it went by the delightful nom de plume of ‘ZZZXY’ and, as all those who didn’t take good care of a Tamagotchi well remember, it consequently evolved into an ugly little brute. This one was so ugly, it actually wore a mask over its face. It looked like Jason Voorhes from Friday the 13th for God’s sake! When it was happy, it bared its gleaming teeth in a freakishly bloodthirsty manner so it was frankly a relief when it died. And the infamous image of a floating halo and angel wings has remained bobbing on the increasingly dusty screen ever since.

So what have we learnt? That’s it’s alarming what can be achieved with three buttons (TV remote control designers, take note). That 90s toy crazes are best left in the 90s for those that actually experienced them first time round. And that I won’t be having babies, alien or otherwise, anytime soon!

Tamagotchi Version 4, $98, Ella

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Canada’s Next Top Model, Cycle 3: Ticket to nowhere?

Posted on October 18, 2010 | Leave a comment

Been feeling out of sorts lately but unable to work out why? Well, I might just have the answer! It’s been over a fortnight since I did a Top Model post!

Cycle 3 of Canada’s Next Top Model was the best Canada had seen yet. Given that Season 1 was fronted by Long John Silver’s wooden stump (I’ve heard she goes by the name of Tricia Helfer), populated with a cast of ugmos and won by an anorexic who gave up modelling before she’d even begun, you can see this isn’t exactly the most glowing of endorsements. Thankfully, Tyra freed Mister Jay in time for Season 2 and by Season 3, he had rounded up a vaguely attractive cast, half-decent panel and enough budget to ensure that shoots no longer looked like they had been done by that dodgy bloke who hangs round your mall.

Although it was the most recent cycle of CNTM, the series still felt like it was occurring in the medieval ages of Top Model-dom – a too-short run, a dated look and a distinct lack of drama. But it was good to see an unshackled Jay Manuel declaring he hated the word ‘fierce’ – take that, Tyra!

What drama there was started off pretty low-key. One girl walked before anyone had even learnt her name. Another girl didn’t really fit in. There was the obligatory meltdown at makeover – ‘I look like a muffin!’ – and the most un-dramatic outing of a lesbian I think I’ve ever seen on reality television. And then there was Maryam.

Maryam was originally from Iran, meaning she was the one who would make incessant references to her culture every time she had to reveal so much as an ankle on tv. So far, so standard. But as the girls screamed, whooped and jumped up and down on discovering they’d be Bahamas-bound for a bridal-themed photoshoot, it transpired Maryam didn’t have a passport. Poor girl probably thought she wouldn’t need it, given CNTM had thus far been so low-rent that the furthest the girls got from Canada was probably being made to flick through American Vogue. Everyone thought Maryam was a goner and Barbadian-born Ebonie thought she had her best shoot yet but the show stumped up a special shoot for Maryam, using better green-screen effects than Clash of the Titans, and girlfriend absolutely rocked it.

Come panel and Ebonie’s photo (above) was truly horrible and looked like she was having the worst period OF ALL TIME (judge Yasmin Warsame: ‘I’d buy that, I’m sold!’ *on seeing close-up* ‘Oh dear, I change my mind!’). Ebonie still thought she’d done brilliantly and was promptly sent packing, still protesting her brilliance. Surely I’m not the only one who gleefully cackles when stuff like that happens?!

I absolutely loved this shoot because I’m a sucker for bridal. A childhood spent collecting Barbie stickers and swooning over Disney movies has meant that seeing a bridal gown triggers some primal urge that sets me off squealing and clapping my hands like a seal. Contrast tropical setting and pretty dress with looks of intense pain and sorrow and I adore it even more, regardless if it’s an idea as old as (certain parts of) Janice Dickinson. My favourite photo of the entire cycle was Heather’s (the banner photo), the perfect balance between serene beauty and utter wretchedness. I also love how true Rebeccah’s feels – a quiet moment of sadness captured on film. [Her story about how she achieved it, by thinking about when her dog died, would have made even the most Botoxed-up fashionitas shed a tear… if their ducts hadn’t been frozen solid, of course.] And as for Maryam? Can you tell her signature look was ‘fierce’? She was the only girl to show some attitude and look pissed and I think it pays off. [Below, left to right: Rebeccah, Maryam]

Just when you thought the passport dramz was over, cue more screaming, whooping and jumping up and down because the girls were headed to New York! And guess what? Maryam still didn’t have a passport!

Having blown the budget on two international trips and green-screen technology, there was no special treatment for Maryam this time. So whilst the rest of the girls did some fancy shoot portraying two different characters in one photo, Maryam called upon a photographer mate (quite likely that dodgy bloke who hangs round your mall) to make her own picture. As she was shown posing in what appeared to be someone’s cloakroom, rattling on in her thick Iranian-accent about being pictured with a gecko, this was hide behind your pillow viewing. Clutching her brown envelope at panel, containing what you imagined was some amateur snapshot of her gallivanting with a lizard she probably found in the streets (very common in HK), I could barely watch for fear of this sweet little Iranian flower being brutally stamped out by the judges. And yet, it somehow turned out awesome, better than the stupid New York shoot and she even escaped the bottom two! Only to be given the boot a week later…

Overall, I was pretty impressed with the standard of the shoots, although after a bit of digging on forums, it appears that’s because most of the ideas were nicked from other (better!) fashion editorials anyway! Photographed in Week 1 by Nigel Barker (*groan*), I initially thought the concept of being shot at random with a wild animal was a bit of a stunt. But, combined with glam 80s styling, big hair and a liberal dose of fierce eyes, it worked (in fact, something pretty similar was done this current season of AusNTM). [Below: Maryam, Nikita, Rebeccah, Heather]

Meanwhile, I simply loved the styling in Week 2. It looked, as good old Alex Perry would say, ‘expensive’. These lushly opulent designer frocks are works of art and were shot and styled accordingly. I could do without the random flashes of bright light but Nikita (the ‘muffin’ makeover girl, who was a great contestant – quick, witty, bitchy but still likeable) looks regal and exquisitely untouchable – bow down! I also really liked Rebeccah doing something a bit different and channelling Twiggy, which really works with her outfit and haircut. [Below: Rebeccah, Tara – purely because I love her outfit, Nikita, Heather]

Finally, beauty shots avec duct-taped mouths. It’s such a great concept for a beauty shot that I refuse to believe it hasn’t been used before, but the CNTM girls do it justice. It would be easy to fall into an oppressed woman trap so I love how defiantly Nikita eyes the camera, but still in an aloof sexy way. And those are some quality cheekbones (and nails)! Heather’s ethereal, almost resigned look heavenwards manages to transcend both the duct-tape and the huge hair whilst Rebeccah channels Twiggy… again! And I’m still going to love her for it… again! Her make-up is more cutesy than the other girls, so the big eyes look great with it and the composition of the shot, with her peeking out from one side of the photo just like she’s peeking out from one side of her hair, is kookily clever. [Below: Nikita, Rebeccah, Heather]

So, a solid season with solid photos, a solid cast and enough drama to keep things ticking along for eight episodes that can be wrapped up in a weekend. Basically, just enough reason to forgive and forget for a few weeks that Canada is responsible for both Justin Bieber and Avril Lavigne. Oh, ok, nothing can make up for that!

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Essie Fiesta nail polish review

Posted on October 17, 2010 | Leave a comment

What I wanted: a hot fuchsia cerise pink.
What I got: like I’d coloured my nails in with a Muji gel pen.

Essie’s Fiesta nail polish is bright. As in, should be highlighting my revision notes with it. If Essie’s Turquoise & Caicos makes me feel like Malibu Beach Barbie, then Fiesta makes me feel like straight-up Barbie herself, with pink obsession very much in tact. Admittedly, this would be a Barbie with crimped hair working some street style, rather than soft and pretty eveningwear Barbie with her hair up in a chignon. Fiesta would be way too vulgar for her!

Fiesta looked a lot duller in the photo, on the sample, in the bottle and on the brush (i.e. like the cerise I wanted) but somehow, seemed to develop neon properties on my nails. That’s not to say it’s a nice colour but it just wasn’t what I was expecting.

As for the nail varnish itself, I’ve already mentioned how much I prefer Essie’s thinner brush, which gets into all the nooks and crannies of your nails, is really easy to work with and gives great coverage. Fiesta is, perhaps unsurprisingly, very highly pigmented (so much so that even with a base coat, it stained my nails) and already gives you a very strong, bright colour with just one coat. However, it felt a bit thin on my nails, so I went for another coat… and alas, it continued to get even more fluorescent! But again, Essie acquits itself well in terms of both drying time and durability.

It’s a rather artificial E-Number-addled candy shade of pink, which looks really brash and, dare I say it, a bit tarty worn with black. Fiesta’s definitely not a shade for shrinking violets or wallflowers and doesn’t really work with colours that try to tone it down. Instead, I found it looked nicest against other jewel colours for it to pop against, particularly cobalt and (my turquoise obsession rearing its head again!) aqua.

Whilst it’s definitely not a shade for the everyday, it’s lots of fun and Essie’s quality still shines through. Now I’m off to go crimp my hair.

Looks great with: Jewel tones, fun times, not taking yourself too seriously
Drying time: <5 mins
Coats required: 2 (but you can get away with 1 in terms of colour)
Chips: 5 days

Essie Fiesta nail polish, $60, Cher2

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Grease @ HKAPA review

Posted on October 15, 2010 | Leave a comment

Hong Kong might not be the most rock n’ roll of cities but that hasn’t stopped a good old-fashioned slice of the stuff – complete with liberal helpings of hip swivels, slick quiffs and guitar riffs – going down a storm at the Academy of Performing Arts. Yes, Grease (otherwise known as the best musical of all-time by ummm… me) is in town and has its meter firmly set to ‘party’. In other words, it’s a complete joy.

Admittedly, I am biased. I probably knew the entire script and lyrics of Grease before I’d learned proper sentences, nurtured a life-long crush on John Travolta before I realised that he didn’t actually look like Danny Zuko anymore and this marks the fourth time I’ve seen the stage show (which, fact fans, came before the film and debuted in the West End with some unknown actor called Richard Gere as the lead). Each time, the law of declining averages has reared its ugly head with less fresh casts, crews and a sense of ennui creeping in as the show wound its weary way round the country for the nth time. So it’s with delight that I can declare that Lunchbox Productions have reinvigorated Grease with boundless enthusiasm, buckets of energy and enough hair gel to keep the cosmetics market buoyant for a good few years.

Jonathan Roxmouth’s Travolta pastiche is all-out hilarious. Never mind half of Rydell High having the hots for him, he practically has the APA audience eating out of his hand at the first trademark Travolta chuckle. The stage lights up every time he’s on it. Over the years, I’ve seen various Sandys ply their trade but Bethany Dickson is the best yet. She has beautiful vocals, strong but vulnerable, and doesn’t go in for the Celine Dion showboating that has come to mar many versions of Hopelessly Devoted To You. What’s more, she more than holds her own against Roxmouth, an achievement in itself. She’s the sweet to Roxmouth’s swagger and they’re the perfect pairing, palpably the shining stars of the show.

With such strong central casting, the rest of the 20-strong South African ensemble barely get a look-in, other than providing sterling support throughout. I enjoyed Kirsten Murphy’s brassy Marty and David Schlachter’s blatant scene-stealing nerd Eugene, but felt Genna Galloway’s Rizzo was a little one-dimensional in her hardness, there was not enough physical differentiation between the T-Birds and the cast sometimes swiftly skimmed over the funniest lines. But these are minor quibbles in a musical that relishes and revels in being spectacular – whether that means a light-up guitar, a blinged-up car or immaculately-executed jaw-droppingly lengthy musical numbers.

Arlene Phillips’ routines (yes, her who got fired off Strictly) were and still are my absolute favourite thing about the show. I never fail to get goosebumps every time I hear those stirringly electrifying chords of Grease that open the show, together with her brilliantly intense choreography that allows each and every member of the cast to shine. The big set numbers – the leaping dizzying spins of the male ensemble in Greased Lightning, the goofy gratuitous nudity of Those Magic Changes and the snappy innovative hand-play of We Go Together – are as irresistible as ever.

However, one element I really disagreed with was the doubling-up of Thembeka Mnguni as Principal Ms Lynch and Teen Angel. The Busby Berkley parodying Beauty School Dropout is one of my standout numbers and usually performed with such high campery by an actor doubling as DJ Vince Fontaine that it acts as catnip to a rapturous audience, who only allow him to leave after about three encores. Although the set design and costumes here are as gloriously glitteringly flamboyant as ever, this production instead makes Teen Angel a hefty soul diva who descends into an ocean of arm-waggling and voice-warbling which renders most of the (very witty) lyrics incomprehensible. Mnguni is also instantly physically recognisable as the school’s principal, which just seems rather weird, and it’s an interpretation of the role that is out of time with the 50s setting. She did, however, still get the biggest cheers of the night, so what do I know.

Elsewhere, the sets are slick, the costumes colourful and the orchestra a riot. Decked out in pink shirts and quiffs visible even from the back row, they seem to be having almost as much fun as the audience! Perhaps a little too much fun as they occasionally veer towards too loud and fast (since when did drive-in torchsong Sandy become midtempo?!) but they make rocking out seem a joy rather a job.

By the time the exhilarating final Megamix has high-kicked its way onto stage, resistance is futile. When Danny Zucko actually starts speaking Cantonese and gets the whole audience on their feet, it’s obvious that this cast have such passion and joy for their profession that it can’t fail to be infectious. I was thrilled that the Hong Kong audience lapped it up with such obvious humour and enjoyment, which bodes well for future world-class musicals doing the rounds in our fair city.

It’s a rollicking ride of a show that you can’t help but be swept up – how many other musicals boast a light-up car to their name?! So come armed with your dancing shoes, get practising your hand jive and long may Grease continue to be the word.

Lunchbox Productions’ Grease runs at Hong Kong Academy of Performing Art’s Lyric Theatre, 7 October-7 November 2010. Tickets cost $350-$895, available from HK Ticketing, 3128 8288 or online. No shows on Monday, evening performances 8pm (Sunday 7pm), weekend matinees at 2pm.

Note: Some of the photos show how HKAPA has been decked out in Grease regalia. I love the effort that has gone into it, emblematic of the scale of the show itself.

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Dust to dust… Ashes To Ashes finale review (no spoilers!)

Posted on October 10, 2010 | 1 comment

Believe it or not, I do watch things other than Top Model.

The last time I wrote about British TV was when I got all excited for the new season of Doctor Who. I never really followed it up on here because, in truth, I was a little disappointed with the final results, with the quality varying wildly with each different writer and an oddly underwhelming finale. The hiring of Stephen ‘Blink’ Moffat to take over the helm from Russell T. Davies, the return of the Stone Angels, the mystery of Alex Kingston’s River Song and the arrival of a brand new doctor and a spunky new companion had all boded so well… alas, it turned out to be a series not only bursting with potential, but also with the inability to live up to it.

Contrast with Ashes To Ashes, a show I’d all but given up on. Right from the beginning, it was an audition for Stars In The Eyes, saying ‘Tonight Matthew, I want to be Life On Mars.’ The right bits were all there but, like a Madame Tussaud’s waxwork, there was something about it that wasn’t quite right. Philip Glenister’s DCI Gene Hunt was as watchable as ever, churning out one-liners with the speed and ease of a machine-gun, but the character, the performance and the writing made him so inherently watchable that you’d probably sit through Hunt attempting to do Hamlet. Keeley Hawes softly psycho-babbling away could never compete with the mastery of John Simm, and she verged on annoying the viewer as much as she did Gene. And the change of era to the glib, superficial, flashy 80s seemed to set the tone for a series that appeared happy to rest on its laurels by providing a few good laughs, a few good car chases and a few good punch-ups each week. The website even has Gene Hunt’s Quattro listed as a character! Whilst the first season showed some promise, with the brilliant climax of a final big reveal, I found Season 2 near unwatchable. Dull, slow and ponderous, I only found the energy to struggle through (albeit usually with something else going on in another tab on my PC) once I’d learnt that Season 3 would be the definitive ending and provide some answers to the whole saga as begun by Simm’s Sam Tyler. And by ‘eck, it did.

Right from the first episode of the third season, I sensed a gear change, with the whole thing really accelerating around Episode 6. The plots were tighter, the pace was faster, characters were evolving and clues were being dropped at an appetite-whetting rate. A new character, DCI Jim Keats (Daniel May), was introduced and was just the kind of series-driving antagonist Season 2 so desperately needed to give it a greater sense of purpose. But I don’t want this review to include spoilers and become my thesis on the finale, because frankly, the Internet has enough playgrounds for fanboys. Instead, I just hope that this finds its way to someone who hasn’t watched and decides to give it a go. [And for my money, the much-maligned Season 2 isn’t essential to watching the last season anyway.]

The finale was simply a beautiful piece of television. It made everything slot together, made everything before it slot together even better and dovetailed perfectly into Life On Mars. The series creators always stated that they had wanted to do three seasons of Life On Mars, but John Simm wanting out put the cabosh on that. Despite Simm still being a no-show, the last Ashes To Ashes felt like a worthy ending to the whole affair. The door was closed gently and tenderly on five years of remarkable primetime telly, but with just enough loose ends and thought-provoking threads to inspire debate and discussion on the wastelands of the Interwebz for years to come.

It was moving, it was clever and it was startling. Other critics seem to have pieced things together well before time, but not me. It was enough of a surprise to be gripping viewing, but not so much of a left-field bolt from the blue that I was left thinking ‘WTF’ throughout. At times, the acting was hair-on-end heart-wrenching, taking you to places that you weren’t sure a retro bad haircut, a bird with an annoying voice and the chubby buffoon from Plus One were capable of. And that final realisation when everything clicked? Did I mention that it was just a rather beautiful piece of television?

Ultimately, Ashes To Ashes managed to transcend its roots from a high-concept tongue-in-cheek sci-fi time-warp cop-drama nostalgia-trip into something much much more. Sad but loving, profound but amusing, daring but populist, complex but essentially simple – and all with a much-loved misogynistic ball-breaking, tough-talking, hard-drinking, one-liner-spinning iconic anti-hero at its heart. And all this at 9pm on a Friday night on the Beeb? Quite an achievement indeed.

nterview with Ashley Pharoah and Matthew Graham

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Essie Turquoise & Caicos nail polish review

Posted on October 8, 2010 | Leave a comment

OK, so the taupe nail polish didn’t last long. But if I said I was so in love with OPI’s Over The Taupe, then I’m at a loss as to what superlatives to use for Essie’s Turquoise & Caicos. It’s pure love in a nail polish.

Lusting after someone else’s aqua nails was what set me off on the nail varnish road of discovery in the first place, so it was inevitable that sooner or later, I’d be turning my talons turquoise. And Essie’s Turquoise & Caicos is the truest tropical turquoise you could hope to find.

(Don’t be fooled by Essie’s own photo of Turquoise & Caicos, above, which makes it look dull, muddy and green. It’s none of above.)

Putting it on makes me feel like Malibu Beach Barbie. It gives an instant feeling of sun, sea and summer – especially great since now autumn is breezing in, I’m desperately trying to prolong that summer feeling. It’s a bright colour that never fails to pop whatever shades you pair it with, but does so without feeling too bold and brash. It’s cute, like a My Little Pony or a mint choc chip sundae, and fun, like a summer beach party. But it’s also surprisingly versatile and doesn’t instantly scream pre-school, like so many of the other ice-cream colours that were marketed this season. And it’s very very pretty.

As for the nail polish itself, I have to profess myself a greater fan of Essie than OPI. The dinky square-shaped bottle, with ‘essie’ embossed on the glass and the white cap with trademark ‘e’ on top, is a lot more aesthetically pleasing than OPI’s chunkier container. Similarly, Essie’s brush is smaller and thinner, which I found a lot easier to work with, and it dried a whole lot quicker and chipped a whole less sooner than OPI too.

However, the consistency of Turquoise & Caicos lets Essie down – the first application is thin, watery and streaky. The second application basically does what the first application should have, whilst a third application is necessary if you want a really consistent, even finish. Nevertheless, I was impressed with the creamy final finish, which was smoother and more self-levelling than OPI’s, even if it took a few more coats to get there. And the overall effect more than makes up for it – lushly gorgeous, it was like I’d dipped my fingers into a particularly beautiful ocean.

[One trick that works is if you don’t wipe much polish off the brush for the first application, so the initial coat is very wet and thick. This means that the colour is strong enough to get away with just two coats, although there can be a slight issue with air bubbles – but these get painted over effectively with the second application.]

If anyone had Crayola’s colouring pencils when they were little (I know my entire class seemed to!), it’s as if someone distilled the shade labelled simply ‘Turquoise’ into a bottle. And I have a feeling I’ll still be trying to re-capture that summer spirit by wearing Turquoise & Caicos well into winter. So meet me at the cocktail bar… I’ll be the one with the turquoise nails!

Looks great with: Denim, bright colours (especially hot pink), swimwear, summer!
Drying time: 5 mins
Coats required: 3
Chips: +7 days

You can also see a photo of me wearing Turquoise & Caicos in real-life at the end of this post!

Essie Turquoise & Caicos nail polish, Summer 2010 Resort Collection, $60, Cher2

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Mid-Autumn Festival Hong Kong 2010, The Rhapsody of Hong Kong Memories: Lights, camera, lanterns!

Posted on October 6, 2010 | 4 comments

The lanterns didn’t stop there. Over in Tsim Sha Tsui, there was an absolutely amazing lantern display entitled The Rhapsody of Hong Kong Memories. These cute and quirky lanterns, depicting nostalgic scenes from 1960s Hong Kong, were designed by Leo Tang and I thought they were just lovely. Perfectly capturing the spirit of Hong Kong with a fond heart and light touch, it’s the sort of ephemera that’s unlikely to go down in the history books but provokes all sorts of loving rose-tinted memories. Now I’ll let the photos do the talking; as ever, click for enlargements.

Hustle and Bustle

These show scenes from 1960s city life, including many traditional businesses that have since died out, like shoe-shiners, calligraphers and rickshaw drivers.

A policeman in his pagoda directing traffic in the days before traffic lights. (Vintage photos from HK Police Force website and HK Man’s Flickr).

A tai-tai at the tailor’s – check out that retro hair-do!

I loved the attention to detail. Here the little boy at the barber is reading a comic-book to keep him entertained – and you can actually look inside the box and see what comics are on offer (hello Astro Boy!).

This little fellow is Lap Sap Chung, a monster created in a campaign to stop HKer’s from littering. He’s being chased by Miss Super Clean, remembered by lots of pre-pubescent teenage boys for her mini-skirts and go-go boots! Mischievous Lap Sap Chung proved so popular that he soon found himself being recreated as merchandise and inflatable toys! His memory was so enduring – a survey found that over 90% of respondents had heard of Lap Sap Chung! – that he was revived for a recent Keep Hong Kong Clean campaign. He even has a Facebook Group in his honour! (Posters from Chan.police’s Flickr and Gwulo.com)

Also note the red, white and blue striped lanterns in the background. These are based on the infamous plastic ‘amah bags’ that you see at wet markets or lugged around by Filipinos, burst to breaking point. I even saw one woman trying to post a full one! (Photo from Red, White, Blue, Here, There, Everywhere Flickr)

Delicious Memories

What would HK be without its food?! Here’s someone enjoying a meal at a dai pai dong (food stall in the street) – love how you can see the pak choi in the owner’s wok!

A spinning cup of milk tea (ngai cha), so beloved of HKers, being serenaded by a teddy boy.

A street hawker, carrying wicker baskets full of vegetables suspended on a bamboo pole on his shoulder. I love how the lady buying from him even has a shopping list in her hand!

An ‘airplane olives’ (fei gei larm) hawker with his distinctive brown paper bag. If you saw him in the streets, you would call down and he would throw the olives up to you several stories high! You would then drop down your money – only paying for what you caught, mind!

Not sure what this guy’s offering us. Hotpot? Congee? An ashtray? (OK, the last one seems unlikely). Answers on a postcard please.

Starfruit-shaped lantern!

Home Sweet Home

This one confused me – was there some strange game in the 1960s where kids had to run to and from a tap?! My auntie had a look and thinks it refers to the days when children would have to go to the village tap to collect buckets of water for the whole family back home. (Those slippers are so Hong Kong as well!)

In the old days, apartments were very small and people slept in simple metal or wood bunk beds to save as much space as possible. Here, the little girl is making plastic flowers by hand, a part-time job many people had in the 1960s to generate a little extra income.

The mum, carrying her baby in the typical Chinese papoose-sling on her back, seems to have rollers in her hair. No GHDs in those days!

The little girl is holding a traditional rabbit lantern for Mid-Autumn Festival; these stem from the rabbit’s presence in the myth behind the Moon Festival and are still sold nowadays.

Traditional paper lanterns for Mid-Autumn Festival – none of that inflatable singing and dancing tat in those days!

Do I need to tell you this is a retro thermos flask?!

Play & Playground

You might notice that some of these happy children are running about in what appear to be the old-school colourful wooden building blocks that children from yesteryear used to play with.

The circle-shaped counters with different coloured airplanes on, seen floating in the background or decorating the giant lanterns, are from a popular Chinese board game, Flying Chess (飛行棋). I say board game, it’s actually played on a fold-up piece of paper and works similarly to Ludo or Frustration. I only noticed this when I was looking back on my photos afterwards and it’s the little touches like this that Tang totally nails; I actually remember playing this when I was little and seeing that detail really made me smile, which is exactly the sort of response I think he hoped for. (飛行棋 photo from DChome forum – I swear I have the exact same game at home!)

The centrepiece to the whole display was a giant rabbit lantern, stuffed with old-school lamps, shop signs and birdcages. The amount of work that must have gone into it! Almost seems a shame that it will all have to be taken down : (

Cute, charming and quintessentially Hong Kong. What’s not to love?

The Rhapsody of Hong Kong Memories, Hong Kong Cultural Centre Piazza (near Star Ferry), Tsim Sha Tsui. 10 September until 17 October 2010, 6.30-11.30pm.


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