Monthly Archives: January 2011

21 Best Singles Of 2006

You’ll be pleased to know that this is the last year of twenty-one best singles. Whether this is because the charts have got less good since 2006 or simply because I’ve learnt to say no to songs knocking on my top eleven’s door, I’m not certain. For what it’s worth, this is probably my favourite singles list of the lot, right down to the ‘nearly but not-quites’, and number two is one of my favourite tracks of all time.

You may notice there is an infringement of my not featuring an artist more than once rule. This is because the particular “artist” in question (and trust me, those quotation marks have never been more deserved!) probably had about as much to do with the songs as I did! Such is the brilliance of the songs on their own that they’d probably make the list if a robot sang them… and I can’t be certain that isn’t the case anyway!

The most noticeable omission that had to be rectified was the absence of Take That. Patience is such an all-time fave (yes, that phrase will be much overused in the next few days) that the only explanation I can find for it not making the list first-time round was that it hadn’t been released when the bulk of the list was being formed (charting in late November/December… yes, I begin thinking about my lists that early!).

So here’s my 21 Best Singles of 2006… and number one has had a whole new lease of life for me since I busted it out on Xbox Kinect’s Dance Central!

1.            Maneater – Nelly Furtado (1)
R.I.P Folksy Furtado, love live Naughty Nelly. Sexy synths, booming basslines and armfuls of attitude make this the best song of the year, in the sluttiest of ways. Everybody look at me, indeed.

2.         Pull Shapes – The Pipettes (26)
Few of you are probably aware that this even exists. Rectify this situation now! A shiny sparkly spangly song brimming over with joyousness, it’s an unforgettable 60s-tinged call to the dancefloor that proves impossible to resist. One of those life-affirming tracks that makes you feel glad to be alive and kicking (preferably in dancing shoes).

3.            Beware Of The Dog – Jamelia (10)
Via the theft of a great 80s riff and the presence of some quite thrilling drum action, Jamelia’s undeservedly unsuccessful single is another of the year’s greatest pop masterpieces. Electrifying punchy.

4.            Patience – Take That (1)
Everyone’s favourite boy band marked their triumphant return as men, with stubble, long coats and everything, with this epic slowie. But Patience is just too good to be dismissed as a mere boy b(l)and ballad; it scales great heights of amazingess with every Barlow top note. Utterly gorgeous.

5.            Nothing In This World – Paris Hilton (55)
If Paris Hilton must make music, let it be this – feel-good fluff that would sound fab no matter who sang it. Gratuitous ‘da da da’s are always a winner. A really great pop record.

6.            Something Kinda Ooooh – Girls Aloud (3)
Surely one of the best song titles of the year, if nothing else? Girls Aloud returned with this riotous rave-up that, in the manner of all the greatest Aloud tunes, sounds like a complete mess before revealing itself to be a beautiful pop revelation.

7.         Rehab – Amy Winehouse (7)
This jangling old-school ditty sounded like Motown at its best; in reality, it’s a gobby intoxicated banshee from the East End but that just makes Rehab all the more amazing. Possibly the best thing Amy Winehouse has ever done, horns and all; her forty-a-day voice has never sounded better.

8.         Crazy – Gnarls Barkley (1)
The definition of effortless cool.

9.         My Love – Justin Timberlake (2)
SexyBack, with its dirty lyrics and even dirtier beat, might have garnered the headlines but this, in reality, is the better song. A series of swirling strings and the swooping Timberlake falsetto take glorious centre-stage, building up to a series of progressive complex climaxes. An unexpected pleasure.

10.       Rock Steady – All Saints (3)
Pop’s sulkiest madams return with this fresh and breezy slice of reggae-lite. Harmonies par none with the second verse, featuring those underrated Appleton vocals and layers of breathy echoes, proving simply sublime.

11.            Supermassive Black Hole – Muse (4)
Epic rock for the noughties, with this exhilarating roller-coaster of strange noises and strange voices. Best described as Muse by way of the Scissor Sisters, yet with a result aeons better than you’d think that could sound.

12.            Irreplaceable – Beyonce (4)
Girlfriend doesn’t just do fierce! A luscious mid-tempo ballad, enhanced by Beyonce’s dipped in honey, melted chocolate and various other yummy edible things voice.

13.       LDN – Lily Allen (6)
If this lovely ode to London (which did the impossible by making the capital actually seem appealing) did not make you feel summery and happy, I suggest you check for a pulse. Will anyone ever dare rhyme ‘al fresco’ again?

14.       No Tomorrow – Orson (1)
The guiltiest pleasure of the year, courtesy of hat-wearing geriatrics Orson, and the fact it gets right up the noses of so-called ‘real rockers’ just makes it even better. Two minutes fifty four seconds of faux moshing bliss that is bound to have you salivating for more.

15.            Voodoo Child – Rogue Traders (3)
Energetic dance-rock certain to have you throwing demented shapes all over the dancefloor. Izzy off Neighbours demonstrates a rock star snarl of a voice that she sadly never utilised on the show – although we’d like to have seen Dr Karl’s face if she had!

16.       Stars Are Blind – Paris Hilton (5)
A track most aptly described as ‘accidentally brilliant’. Hilton’s drowsy “singing” blends almost impossibly perfectly with a lazy reggae beat stolen almost entirely from UB40’s entire output. A near perfect summer record.

17.       S.O.S. – Rihanna (2)
Mid-way through the year and this heady blend of electro, R n’ B and obligatory 80s sample would have been a shoo-in for record of the year. But then a load of people came and did it better. Oh well.

18.            Checkin’ It Out – Lil’ Chris (3)
‘Ch-ch-ch-checkin’ it out!!!!!’ a nation cried, whilst also attempting to emulate the little one’s command of Crazy Frog like noises. An immense record by the tiniest singer pop has known since Geri Halliwell’s freakish yoga days. Second single, Gettin’ Enough, is also very good too.

19.       Naïve – The Kooks (5)
In the words of a panel member (a panel consisting of two), this song ‘never gets old’. Deceptively simple melodies produce a song with yes, a naïve charm all of its own. The angelic Lily Allen cover is possibly even better.

20.       Red Dress – Sugababes (4)
The fact this was released so long ago that I’d almost forgotten about it is the only reason it’s all the way down here, for this is a truly wicked record. That crescendo of a chorus (or is it the bridge… or the middle 8… that’s the genius of producers Xenomania) is one of my favourite pop moments.

21.       Faster Kill Pussycat – Paul Oakenfold ft. Brittany Murphy (7)
I generally despise dance music, but this chunk of invigorating energising and exhilarating electronica on speed will do very nicely, thanks.

Three nearly but not quites…
I Don’t Feel Like Dancin’ – Scissor Sisters, Move Along – All American Rejects, All Time Love – Will Young

Zoya Gloria nail polish review

OK, so it might be a bit late for festive nail polish, but Zoya’s Gloria would work just as in May as it would under the mistletoe.

Zoya winningly describes it as ‘a delicate winter rose’, a description so accurate it practically renders the rest of my review pointless. Many metallic pink glitters tend towards the very bright or the very cool, but Gloria has a lovely warmth to its rosy foil effect. This might be down to its inviting crimson base or its beautiful gold-flecked glimmer, but either way, it’s a highly enticing mix.

I’m a huge fan of Zoya’s glitter polishes. They generally steer clear of using huge particles and instead give you a solid shimmer with a flashy foil-like finish. It’s a mature, grown-up way of wearing glitters, and I approve wholeheartedly.

As with most of Zoya’s varnishes, Gloria applies easily, with a reassuringly consistent formula (strange streaking is a general occupational hazard of glitters) and became smoothly opaque within two to three coats. But Gloria is sheer enough to layer over other polishes with just one coat – pictured is it transforming into a beautiful burnished copper over Essie’s Rock Star Skinny – whilst also being uniquely gorgeous in its own right (a translucent frosty rose since you asked). It also changes in different lights – at night or under artificial lighting, Gloria easily passes as a pink-based scarlet but by day, it’s more obviously a glimmering gold-kissed blush. (Shown above: natural light, artificial light; below: strong direct sunlight; click for enlargements)

Either way, it’s a really rather ravishing shade, with enough to distinguish it from that perennial Christmas favourite, a simple red glitter. But with a colour this pretty, Gloria is a winner any time of year.

Looks great with: gold, glitter, all year-round festive spirit
Drying time: 3-5 mins
Coats required: 2-3 (for opacity)
Chips: 3-5 days

Zoya Gloria nail polish, Winter 2010 Flame Collection, $80, Cher2

Top 11 Albums of 2005

And so begins my obsession with making my ‘Top 11’.

Firstly, why eleven? A combination of a Spinal Tap joke, that eleven is obviously one better than ten, the need to be that little bit different and the fact that when you make top tens, you’re always plagued by that one you had to leave out! 11 is quite an aesthetically pleasing numeral as well, don’t you think? All long leggy streamlined strokes… (ok, obsessing too much now, please stop).

Secondly, this list required a lot of editing. When this was originally published, I included greatest hits collections, frankly because I hadn’t been bothered or inclined to listen to many other albums that year (the top seven on this list are still some of my favourite albums of all-time and completely hogged my CD player… yes, back in the days when we all still listened to CDs). I’d still love to include Basement Jaxx’s Singles Collection in the list as it’s a totally perfect record but it really doesn’t seem fair. Meanwhile, Natalie Imbruglia’s Counting Down The Days has always quietly been one of my all-time favourites without me ever having any conception of when it was released; also, with the benefit of hindsight, age and wisdom (ha!), two albums that actually made my ‘Worst’ list also reach the top eleven! So you can’t say I never admit to being wrong!

The Top 11 Albums of 2005 include the first great Girls Aloud album, the last great Sugababes album and the only great Rachel Stevens album. Enjoy!

1.            Girls Aloud Chemistry
Words cannot express the pure unadulterated joy and pleasure Chemistry brought me. In fact, it’s orgasmic stuff. Girls Aloud took every rule about pop music and stomped all over them in white stilettos, whilst rapping nonsense, slinging hooks like a heavyweight boxer, making train noises and generally looking rather beautiful. Vive la Aloud.

2.         John Legend Get Lifted
There has not been a more beautiful voice, or a more beautiful album, this year… FACT. Legend lives up to his name with this absolutely stunning debut, whilst that super-smooth voice slips down like errrr… a really lovely cough lozenge?! OK so the similes aren’t really working for me tonight…

3.         KT Tunstall Eye To The Telescope
People tried to say she was the new Dido, the new Melua or the new *insert boring female singer-songwriter here* but trust me, she’s much much better. The heartbreakingly beautiful Other Side of the World meant fans of afore-mentioned boring female singer-songwriters bought the album, only to be surprised by this surprisingly varied and accomplished debut. The real highlight – Tunstall’s gorgeously throaty voice and the amazingly infectious, potentially defined as folk but never mind Black Horse and The Cherry Tree. All together now… (it’s off the ads) woooooohoooooooo….

4.            Rachel Stevens – Come And Get It
The British public didn’t really go and get it but more fool them. For sheer pop, it’s hard to better Rachel’s sophomore effort, which sees her spin an electro tour-de-force with the might of pop’s best producers behind her. Ignore the personality vacuum that is Rachel herself, quietly sucking away all charisma with Dyson-esque efficiency, and instead concentrate on pop gems that sparkle even more brightly than Queen Madge’s disco-ball.

5.            Madonna – Confessions On A Dancefloor
With Confessions, the Queen of Pop returned, polished crown and lyrca leotard in tow, to create her best album in years. Disco taken to new levels of sleek and shiny glamour, this was an album that really worked well as one (ultra-toned) body of work, proving the 47 year-old still has what it takes. Dancefloor euphoria, plus it has an Abba sample… awesome.

6.            Sugababes – Taller In More Ways
Missing Mutya already (actually scrap that, because Amelle is my new favourite girl-group member since the halcyon days of Ginger Spice and whichever member of Girls Aloud I’m into this week), Taller In More Ways marked a triumphant comeback for Britain’s coolest girl group. Showcasing a perfect blend of vocal harmonies, the Sugababes dish up plate after plate of daily specials, proving why they’re still the best in the business. Pulsating electro, cool r n b, lush balladry and pure pop storms are all served with consummate ease – and not a dance routine in sight.

7.            Kelly Clarkson – Breakaway
Worth a place just for the anthemic Since U Been Gone and Behind These Hazel Eyes, Miss Clarkson’s album is perfect for anyone whose love life makes the comings and goings at Hollyoaks seem pedestrian. Or just anyone who appreciates the best pop-rawk you’ll find this decade. Full of throaty gutsy angst, backed by tunes strong enough to blast your ex back to the hole from which he crawled, Breakaway is the album Avril Lavigne should have made… if she was actually any good.

8.            Natalie Imbruglia – Counting Down The Days
An album far more delicately beautiful than you’d expect with a Neighbours alumni at the helm, Counting Down The Days made no bones about its main asset – glorious, ethereal loveliness seeping from its every pore. In fact, it just about makes up for the days when Natalie and her artfully floppy hair was never off our screens during the Torn-era.

9.            Kaiser Chiefs – Employment
Jollier than Santa after a dozen brandies, the enjoyable thing about the Kaisers is that they take themselves far less seriously than the likes of other supposed indie bands, instead making songs that just holler to be pogo-ed along to on a Saturday night out. ‘Ooooooooooo… watching the people get lairy’ is possibly one of my favourite opening lyrics… ever.

10.            Pussycat Dolls – PCD
Sexy, skanky, slutty – but hey, they have great dance routines! Less an album and more a smorgasbord of hit after hit, if you can ignore the fact that the PCD have less soul than they do revealing clothing, this was a great party album.

11.            Goldfrapp – Supernature
Black Cherry will forever be my favourite Goldfrapp album, but Supernature does a decent job of diluting Black Cherry’s dark sparkle to a more mainstream audience. From the irresistibly sexy Ooh La La to the swoonsome slink of Number 1, this glacial glide through electro couldn’t be more cohesive unless it was held together with Superglue.

21 Best Singles Of 2005

Believe it or not, back in the heady days of 2005, I wasn’t Teentoday’s only writer. Consequently, I wasn’t the one who got to write the Best Singles Of 2005 list – a crying shame, as it was a stellar year for pop music. Obviously, I couldn’t let this pass and cobbled up my own list retrospectively instead.

Looking back, I was amazed how many amazing songs there were that didn’t ever make number one (the UK chart peak is listed in brackets). Oh well, they have the last laugh – who’s singing The Crazy Frog now?!

1.            Biology – Girls Aloud (4)
Not content with making one stellar pop song, Xenomania decided to make three instead, then squish them all into the same record – just because they can. Countless hooks jostle for breathing space amongst ridiculous dance routines and even more ridiculous lyrics. Best pop song of the noughties? I think we have a winner.

2.            Ordinary People – John Legend (27)
Beauty, class and feeling encapsulated into four minutes and forty-one seconds that goes by all too quickly. Subtle but soaring.

3.         Since U Been Gone – Kelly Clarkson (5)
Best break-up song, evah?! Slinging drippy-eyed ballads to the wayside, Clarkson sings, shouts and stomps her way to post-Idol brilliance. All together now – ‘I’m so moving on, YEAH YEAAAAAAAAH!’ How was this not number one?!

4.         Feel Good Inc – Gorillaz (2)
Despite beginning with a sinister cackle, babbling on about windmills for most of the rest of the song and then sneaking up on you with a brilliant rap section, Feel Good Inc is the very definition of effortless cool. The sound of summer… and autumn… and winter.

5.         Cool – Gwen Stefani (11)
Am I being swayed by the gorgeously-shot Sophie Muller video? Oh, who cares! Cool is a marvellous misty-eyed cruise through getting closure, courtesy of some stunning New-Wave synths. Lush.

6.         I Bet You Look Good On The Dancefloor – The Arctic Monkeys (1)
The Arctic Monkeys basically played the best trick in the book – took a top-quality pop choon, added guitars and Northern accents, and suddenly even lemon-sucking NME editors were hailing their greatness. Obviously, I’d be listing the even more poptastic Sugababes cover if I could.

7.         Time To Grow – Lemar (9)
Where would the MOBOs be without him?! Time To Grow is a silky-smooth ballad that could sell the idea of moving on to even the most bitter-faced bunny-boiling harpie. Just gorgeous.

8.         Push The Button – Sugababes (1)
Minimalist Dallas-Austin produced electropop, sold with trademark sulky swagger by the Britain’s coolest girl group. Hypnotisingly good.

9.         I Said Never Again (But Here We Are) – Rachel Stevens (12)
Rachel Stevens gets guitars! And drums! And some semblance of a personality! The prospect of letting someone in through your back door never sounded so appealing.

10.            Dakota – Stereophonics (1)
Any song that mitigates Kelly Jones’ insufferable smugness must indeed be a thing of greatness. Dakota grows in magnitude with each listen, until you’re forced to admit it simply is one of the finest rock anthems of the decade. Even if you still want to slap Kelly Jones round the face.

11.       Hung Up – Madonna (1)
Take one Abba sample, add a fluorescent pink leotard and mix in a dance routine so hardcore that most lithe-limbed teenagers would bust a muscle even attempting it. Hung Up is a delicious slice of disco, the kind of which you thought died out with Studio 54. Euphoric.

12.            Rebellion (Lies) – Arcade Fire (19)
Astonishingly different and wonderful all at once. If being featured on every soundtrack/advert/epic moment can’t ruin Arcade Fire’s majesty, then you know you’re onto a good thing. [Wake Up is similarly magnificent.]

13.       I Predict A Riot – The Kaiser Chiefs (9)
Making our chart courtesy of a sneaky re-release, I Predict A Riot is a little bit cheeky, a little bit naughty and a whole lot of fun. If there was ever a track that made us consider risking our blow-dry for a spot of high-energy moshing, this was it. *Makes unconvincing rawwwwk hand gesture*

14.       All About You – McFly (1)
Arguably McFly’s last great moment, this awfully pretty love song straddles the fine line between sweet and saccharine. For the most part, it delivers the perfect amount of ‘awwww’, courtesy of touching lyrics and a stirring orchestral section… until the bizarre mention of kitchen tiles, of course.

15.       Switch It On – Will Young (5)
Sounding like early George Michael crossed with a guilty pleasure from an 80s film soundtrack, Switch It On marked young Willard’s first foray into the uptempo. With pounding beats, tap-tastic rhythms and impassioned vocals, we deem it an all-round success. More please.

16.       Do You Want To – Franz Ferdinand (4)
We’re confused. We thought we liked pure pop. But suddenly there’s all these indie bands making what, by any other name, we thought were pure pop choons. Except floppy-haired indie types seem to be enjoying them too. This witty hook-laden track is the perfect example and it’s guaranteed to have you playing air guitar within seconds, even on public transport. Madness.

17. Gold Digger – Kanye West (2)
We don’t really like rap music round these parts. Sounds like talking to us. But even we have to admit that, courtesy of a platinum-plated sample from one of the best (Ray Charles), Kanye created a hand-clapping, hip-grinding, booty-shaking hip-hop classic. WE WANT PRE-NUP!

18.       Fix You – Coldplay (4)
It’s not cool to like Coldplay, but when they create songs this stunning, who cares? Tear-sheddingly beautiful.

19.       Hard To Beat – Hard-Fi (9)
A love song cunningly disguised as a hipster tune. Clever stuff.

20.       Crazy Chick – Charlotte Church (2)
Half barnstorming country record, half unhinged Love Machine rip-off, with vocals set to belt from Wales’ favourite fallen angel.

21.       Oh My Gosh – Basement Jaxx (8)
Quirky, quality dance music, delivered with charm to spare. Enough to make us consider having a mini rave-up at two in the afternoon and we’ve not even had our first rum n’ coke yet. ‘Forget about sugar, have a spoonful of me!’

Three nearly but not quites…
Ooh La La – Goldfrapp, Ticket Outta Loserville – Son Of Dork, Other Side Of The World – K T Tunstall

Merry Listmas!

I love making lists. Shopping lists. To-do lists. Lists of lists. You name it, I’ll list it.

My favourite, though, is Best Of Lists. There’s just something so naively pleasing about listing your most favouritest things in the world in order. For the past five years, I have been Music Editor for Teentoday, meaning my lists of best singles and albums of the year have actually gained some sort of legitimacy… but hell, I’m not going to pretend I wouldn’t have written them anyway.

In some end of noughties madness, I decided I’d quite like these lists on my own site. But the benefit of hindsight is a wonderful thing. Some songs passed me by at the time, other songs were included at the behest of other contributors/commenters, whilst for some strange reason, I hadn’t written a singles list for 2007 at all! So eagle-eyed readers of my work (hi Mum!) may notice that some songs have shifted about since original publication or disappeared altogether, whilst other ones only now realise their greatness.

A few rules:

  • Entries on the singles list must have been released in the UK that year.
  • Entries on the singles list must have been released as singles. So no albums, B-Sides, random tracks re-emerging thanks to iTunes.
  • Artists can only be featured once on each list, even if they’re released more than one great single. (Although you will notice, I do sometimes cheat my way round this!)

So without further ado, let the countdown commence! And then I’ll make a list of my favourite lists or something…

All the lists be here…

P.S. I’ve gotta admit, I’m actually quite proud of these lists! I’d happily listen to all the songs on them again now… and in fact, I regularly still do!

Photo credit: paloetic on Flickr

I love making lists. Shopping lists. To-do lists. Lists of lists. You name it, I’ll list it.

My favourite, though, is Best Of Lists. There’s just something so naively pleasing about listing your most favouritest things in the world in order. For the past five years, I have been Music Editor for Teentoday, meaning my lists of best singles and albums of the year have actually gained some sort of legitimacy… but hell, I’m not going to pretend I wouldn’t have written them anyway.

In some end of noughties madness, I decided I’d quite like these lists on my own site. But the benefit of hindsight is a wonderful thing. Some songs passed me by at the time, other songs were included at the behest of other contributors/commenters, whilst for some strange reason, I hadn’t written a singles list for 2007 at all! So eagle-eyed readers of my work (hi Mum!) may notice that some songs have shifted about since original publication or disappeared altogether, whilst other ones only now realise their greatness.

A few rules:

Entries on the singles list must have been released in the UK that year.

Entries on the singles list must have been released as singles. So no albums, B-Sides, random tracks re-emerging thanks to iTunes.

Artists can only be featured once on each list, even if they’re released more than one great single. (Although you will notice, I do sometimes cheat my way round this!)

So without further ado, let the countdown commence! And then I’ll make a list of my favourite lists or something…

The Switch (sort of) film review

This is exciting as it gets

As far as romcom premises go, the one for The Switch isn’t bad. Man swaps sperm donor sample for his own, chaos ensues etc. However, there was so much wrong with it that I’ve decided to list eight examples for posterity below:

  • No chaos ensues. You’d expect all kinds of zany shenanigans to be going on, instead you just get a child who collects empty photo frames. I am not joking.
  • When did Jennifer Aniston get SO old?! I love Jen, really I do, but really… WHEN?!
  • Who thought that Jason Bateman was a great choice for romcom leading man? I love Jason, really I do (Arrested Development 4eva, etc) and smug sardonic sidekick perhaps, but really… WHO?!

    Would you let this man be your romantic lead?!

  • Jen and Jase have zero chemistry. Nothing. Nada. Zilch. In fact, Jason Bateman has more chemistry with the magazine cover of Diane Sawyer that he wanks over to create the sperm in the first place.
  • When did wild child Juliette Lewis, who even has her own rock band for crying out loud, become rom-com bit part material? As the supportive girlie best friend of all things! In other news, she’s aging into Stockard Channing.
  • Why hire Jeff Goldblum, a bit of a minor movie legend, if you’re gonna give him literally nothing to do? I don’t think he had lines any more riveting than ‘Good morning’.
  • Possibly the funniest moment of the whole 100-minute film comes two minutes in, courtesy of that comedy staple, a man with some kind of Tourettes. Not an auspicious start.
  • The timeline and relationships don’t ring true. We start seven years ago, at the time of ‘the switch’. We then head to ‘the present’ (i.e. seven years from the start of the film), where Jen and Jase’s characters are such believable best friends forever that they’ve not had any proper contact since she left New York to raise the child. Suddenly, they’re back to being BFFs, except Jen feels ‘an energy’ between them (shame no-one felt to let the audience in on this energy too), despite the fact that in the intervening seven years, she doesn’t seem to have dated anyone. Next thing you know, she’s dating the person who she thinks is the father of the child and is considering moving in with him after what seems like one date… and if you thought that was fast, the father of the child (who isn’t the real father, keep up) is planning on proposing after the same length of time. Amongst all this, Jason Bateman *only just* remembers swapping the sperm whilst deciding he can’t live without the kid he’s only just worked out is his.
    Jennifer Aniston seems less of a mother than a benevolent pretty aunt on a sleepover with the child, her decade-long friendship with Bateman is unconvincingly founded on two dodgy dates aeons ago and when they do finally get together, she looks as happy about it as she did when she first saw the box office receipts for the film (hint: not good) whilst their first kiss, generally the crescendo of any good romcom, is so gingerly geriatric that the cameraman may have fallen asleep during filming, no doubt getting more excited about the prospect of grabbing a Subway for lunch later.

Hey look, we're still walking! Still more exciting than us kissing though

That being said, The Switch isn’t terrible. There are some nice quirky moments with Bateman and child, played with a natural ease by Thomas Robinson (so expect Nicholas Hoult style reinvention to cool hot teen in ten years from now). But being neither funny, nor romantic and a terrible waste of potential on all sides, it’s just a bit of a damp squib. An unloved wet patch on the mattress of noughties romcoms, which probably should never have been marketed as romcoms in the first place. Still… Jennifer Aniston’s hair looks nice.

5/10