During our trip to the Pixar: 25 Years Of Animation exhibition at the Hong Kong Heritage Museum, we had a quick scoot round the rest of the place. Emphasis on quick – you’ll have noticed my usual grumble about crappy café quality (see Museum of Coastal Defence, History Museum and Botanical Gardens posts for further moaning) was missing from the Pixar write-up… because this time there wasn’t an eating facility at all!
Sadly, nothing was as awesome as the colourful display of Fei-Fei’s plus-sized cheongsams we stumbled upon when we visited the Age Of Couture Exhibition (a greater aesthetic juxtaposition you could not imagine!). Yes, HK ‘affectionately’ nicknamed their much-beloved actress cum singer cum media personality Lydia Sum something that translates as ‘Fatty’!
This time, we happened upon the Hong Kong: Creative Ecologies exhibition – or what of it had been placed in the foyer of the second floor. Dozens of identical ‘Tin Tin’ figurines, all decorated, styled and re-imagined in different ways by various home-grown artists and designers.
It was fascinating to see how so many people could take one identical thing and end up with something so different yet still recognisable. Designs ranged from the beautiful to the comical to the bizarre to the slightly macabre (I didn’t take a photo of the one that had been mocked up to look like a see-through human body, with all the vital organs glowing inside, as it freaked me out too much), whilst many had a uniquely HK flavour – one had a map of our MTR system, another had silhouettes of our trademark bamboo scaffolding system with workers hanging out un-harnessed and causing heart attacks to Western Health & Safety bodies.
My favourites were the ones who thought ‘outside the box’ and mixed it up a little. I noticed that whilst many of the fashion and accessory designers decorated their models, the artistes chose to do more abstract things – like one completely encased in a steel box, with just that recognisable pointing finger sticking out, or the one that appears to be melting. I was engrossed by the one that seemed to have sprouted alarmingly naturalistic-looking roots and was even growing foliage up top!
The only HK artist whose work I recognised instantly was Prudence Mak. That distinctive bright patchwork style couldn’t belong to anyone but the founder of cute quirky local brand, Chocolate Rain, who you will hear more of later…! Apologies for the picture quality – I haven’t figured out how to minimise the reflections caused by the glass cases – so I’ve compared it with a nice HQ photo from the Heritage Museum’s website so you can see it in all its detailed technicolour glory!
Hopefully these will be kept together as a display once the exhibition has ended and housed somewhere else, as they’re far more powerful and dynamic as a collection rather than if they were split up. It’s certainly nothing to warrant a special visit to the Heritage Museum (though apparently there was a Creative Ecologies gallery that I was too hungry to visit), but it’s a cool little diversion nonetheless! Enjoy!
Hong Kong: Creative Ecologies, 5 Feburary-11 May 2011, Hong Kong Heritage Museum, 1 Man Lam Road, Sha Tin, 2180 8188. See Hong Kong: Creative Ecologies Website for further details.
$10 admission, free on Weds. Opening hours: 10am-6pm, 7pm on Sunday and public holidays. Closed Tuesdays.
Through The Looking Glass 