Tag Archives: Hailee Steinfeld

Red Carpet Rundown: Met Gala 2011, Stella’s Stars

The Met Gala 2011 was supposed to be in honour of Alexander McQueen… so of course, the greatest number of people chose to wear Stella McCartney. Stella was co-chairing the event… then again, so was Colin Firth… and even though I love a lot of these gowns, I don’t think any of them fit the theme of Savage Beauty. Do you?

Can you believe this is the same woman who was last seen out-slutting her teenage daughter by showing off her bare ass at a post-Oscars party? This is the best Madonna has looked in ages – classy, sophisticated yet far from being contrived or boring. This steely blue colour looks brilliant on her, especially combined with those perfectly-coiffed golden waves, and I love the silver stars that trail their way down her back and onto her train.

Iman looks a bit like Ru Paul. And if you aren’t a fan of high campery and heavy trashtastic-ness, then bling-covered jumpsuits probably aren’t for you. Then again, you’re no shrinking violet if you managed to snag Ziggy Stardust as a hubbie and you can’t deny she is working the hell out of it and looking fiercely Amazonian anyway. And what’s the perfect accessory to gold sequins, a blaze of golden hair and glowing golden skin? A gold belt buckle, of course. Duh.

I’ve long been a fan of Maggie Gyllenhaal’s red carpet style – she has an easy grown-up grace about her that doesn’t seem too try-hard – and this is another winner in my book. I adore the oceanic blue glitter and the unusual neckline, although I’m slightly concerned by the lack of bra and consequently, the nipple standing to attention that seems to follow my gaze. I know I applauded her lack of try-hardiness but there are limits…

This is such a standard Gwyneth Paltrow gown that it bores me to boring beige tears. A simple nude sheath dress, there’s no doubt it’s super-flattering and suits her but seriously, the carpet is more savage than anything in this look.

Eva Mendes is one of those people that just doesn’t excite me on the red carpet and this isn’t really any exception. This royal blue one-sleeved number has that whole 70s boho aesthetic that McCartney was channelling last season and I love the sense of movement and volume Mendes is bringing for photos, but it feels a bit too carefree and casual for *the* fashion event of the year. If what you really need to set your outfit off is a big floppy sun-hat, you know it probably just isn’t cutting it.

Another super-pretty dress, another complete lack of savageness. I’m gonna stop harping on about it now. I do love the ethereal fairy dust aspect of Naomi Watts’ gown but I feel like I saw it all before with Mandy Moore at this year’s Oscars.

When did Kate Hudson get this pregnant?! Last time I looked, it was a mere bump in the road but now it looks like she’s smuggling watermelons Phoebe-style. The long wavy hair, the embellished bodice and the fishtail train are saying one thing to me – mermaid. That and the sea-shell she stuck on top of her head. I guess there are worse things you can look like than a heavily pregnant mermaid on her wedding day and she’s doing her usual Goldie Hawn-inherited Kate Hudson thing by looking glowy and pretty regardless. At least it looks vaguely comfortable and easy to sit down and pee in, which were probably greater concerns for Kate than say… Daphne Guinness.

Thandie Newton is one of my serial style crushes and as ever, she’s giving me flawless face. I love the top half of this dress, with the deep V-neck with scalloped edging, but I’m not sure about the bottom half. I know it isn’t really her underwear I can see, but I still feel it’s improper of me to look.

I find Rihanna’s dress oddly unflattering, like a jumpsuit that someone has opened up the legs of – and you haven’t even seen the tacky see-through slit down the side yet, which proved lots of fun for the photographers when she bent down to fiddle with her train. Well, I say see-through, it looked more like support tights… Yet that isn’t my main issue. Even from here, through a photograph comprised of pixels on a computer screen, that braid boasts more synthetic material than a Primark sale. I’ve loved Rihanna’s flaming red tresses with some of her more colourful outrageous looks, but it just looks fake and cheap here. Pippi Longstocking would not be impressed.

The problem with everyone wearing the same designer is that things start to get a bit repetitive. So that intricate swirling lace pattern that’s providing interest on Kate Winslet’s gown entirely take over Hailee Steinfeld’s, albeit in a different colour (seen on Amber Valetta’s dress too). Meanwhile, the black lace aspect of Winslet’s gown is also reminiscent of Thandie’s and Rihanna’s outfits too.

Kate Winslet’s dress is elegant, classy and sophisticated but it must be the hundredth time she’s rocked this whole ‘simple black gown with random areas of interest’ look and I miss the Winslet who used to wear bright red Ben de Lisi or mint green Alice Temperley or electric blue Narsico Rodriguez. Guess the colour-loving part of her got airbrushed away with that last magazine cover.

Hailee Steinfeld swept everyone away with her sweet fresh style this awards season but this may be her first serious misstep. I think it would be pretty cute sans train but, overall, it just feels too heavy for her.

So it looks like Stella McCartney saved the most savage of her gowns for herself. Sadly, it’s just a bizarre Project Runway challenge – to make a dress out of a penguin costume. Seems there’s a reason I’ve never seen a neckline shaped like that before. I happily await the gif where someone superimposes a nun’s face over her legs.

Pictures: Just Jared, Style.com, Look.co.uk, Socialite Life, Huffington Post Style

Red Carpet Rundown: Oscars 2011

The red carpet for the Oscars 2011 has to be one of the most boring in a while. When you’re being outdone for wow factor by almost every dress at the after-party, you know something has gone wrong! And whilst we all love a tasteful neutral (hi Michelle Williams, Annette Benning, Gwyneth Paltrow, Hilary Swank…), you know the look has jumped the shark when even Celine Dion, her of the back-to-front man’s suit and fedora, is working it successfully. With star wattage seeming somewhat underpowered this year, many of my frequent red carpet faves disappointed (Sandra Bullock, Anne Hathaway, Aishwarya Rai) with dresses that were nice, but not nice enough for me to waste all of about twelve words over. Here are the only outfits that stood out, starting with my three favourites (by a long LONG way):

Cate Blanchett in Givenchy Couture – The love it or hate it dress at this year’s Oscars, except I’m yet to actually see anyone declare hate. Why? Because it’s simply too beautiful. The design on the bodice may resemble the back of a very ornate chair, or a very ornate mirror or a very ornate cameo missing the face inside, but it works. Lovely fresh sorbet spring colours, and so very very Cate. Pretty much the only interesting dress so thank God it was a good ‘un.

Mila Kunis in Elie Saab – I’m thinking Mila was toying with us all the way up to awards season, lulling us into expecting she’d be dull and boring before hitting us up with a triple whammy of colourful gorgeous gowns (that or Macaulay Culkin had a black fetish and she’s breaking gloriously free of her monotone shackles). When a dress is this pretty, delicate and flirtatiously feminine, no self-respecting fashionista would put money against it being an Elie Saab. This is just such a beautiful dreamy soft shade of lilac that we don’t often see done on the red carpet, and by looking so damn good in it, Kunis has probably ensured that no-one will dare do it again.

Amy Adams in L’Wren Scott – YES! After a ropey lead-up, like the tortoise, Amy has finally triumphed just in time for the main event. Stunning sparkling midnight blue, a simple shape and a look that couldn’t flatter her more if it came with a greasy handshake and car-salesman patter. All the more surprising given it’s a L’Wren Scott, which tend to look a little dowdy for big occasions.

Hailee Steinfeld in Marchesa – You may have noticed that I’ve steered clear of mentioning Hailee in all my red carpet rundowns so far. This is because, as far as I’m concerned, if a 14 year-old is dressing as she should, then she probably won’t be exciting me too much. Bloggers have been won over by her ‘age-appropriate’ style, and whilst I’m delighted to see a famous teen who doesn’t wander about with her crotch either hanging out or with Swavorski crystal arrows pointing towards it, cute teen style stopped exciting me when I was… well, a not so cute teen. This modified Marchesa is a whole different story. It’s the ultimate princess-ballerina dress for the inner 14 year-old in all of us, right down to the could-be-overkill-but-instead-it’s-cute-and-charming bun and hair band combo. Swoonsome.

Mandy Moore in Monique Lhullier – If you’re read any of my style posts, you may have worked out by now that it takes one simple thing to make me lose all rational thought and start cooing like a teenage girl seeing Robert Pattinson for the first time. That magic ingredient is sparkle and when done right, it should look exactly like this Monique Lhullier gown – pretty, ethereal and like it was hand-crafted by fairies.

Natalie Portman in Rodarte – I’ve not really been loving Natalie’s maternity style thus far but this is easily the best she’s looked yet – and in a last-minute second choice too (thanks Galliano). Graceful flowing lines, a gorgeous rich plum shade and an overall look of radiance. She definitely picked the right time to glow!

Jennifer Lawrence in Calvin Klein – It’s simple, it’s sexy, it’s almost a Baywatch swimsuit. It’s the sort of thing Scarlett Johansson would have worn five years ago… oh hang on, she did! She does just look rather beautiful though.

Scarlett Johansson in Dolce & Gabanna – Speaking of, here she is, in a dress that not many people seem to like but which I feel quite fond of. I get a slight qipao vibe from it and whilst I’m still not sure I want to see anyone’s underwear on display at the Oscars, there are just enough redeeming factors (gorgeous unusual burgundy-magenta colour, effortless up-do, fabulous matching cocktail ring, atypical outfit for her usual 50s siren style) to make me leave the doily jokes in my drawer for another time. Apols.

Halle Berry in Marchesa – I’m just happy that Berry didn’t source her outfit from a sex-shop again. Having discovered that her legs don’t drop off if she covers them, this frothy girlie confection is a style 180 from the vaguely dominatrix gear she’s been sporting of late and it almost falls through the cracks of the sparkly sea of neutrals that have plagued this awards season. Britney’s bodysuit from the Toxic video, it’s saved/slaughtered by looking like the bottom has been dragged through heavenly clouds… or cotton candy. Shame about those clunky peeptoes.

Nicole Kidman in Christian Dior – I’m fairly certain that I hate this dress. But having flicked through so many photos of utter blah, I’m actually overjoyed that Kidman has completely lost control of her sartorial compass. Someone took a napkin folding-course and was so eager to show off his handiwork that he just went to work on her waist – but hey, at least he didn’t do a swan! I don’t know what the orange shoes are about, I don’t know which 14 year-old pimply teen’s hair gel she stole to achieve those sticky fronds of hair but I do know that I’m glad someone’s still taking risks on the biggest red carpet of the year. Even the nice dresses that I’ve singled out here are fundamentally simple shapes made good by striking colours so for being so different in an expanse of yawns, I really can’t hate her.

Jennifer Hudson in Atelier Versace – Everyone else is loving this. No idea why. It’s bright orange, a shade that seems to have tackiness in-built, and that’s even before you make it out of shiny flammable-looking satin, pile on the baubles, had that napkin-folder go nuts on your arse and hoist your boobs up like a second pair of eyes. There is not a single part of this outfit I like.

Reese Witherspoon in Giorgio Armani – This is essentially Julia Roberts Oscar-win dress made boring, with plastic Barbie hair on top. Except Barbie would never be this dull.