Tag Archives: Emma Watson

Red Carpet Rundown: 2011 Bafta Awards

Initially, I wasn’t going to write about 2011’s Bafta Awards, which were a bit low on star wattage compared to previous years. But then I found I needed a distraction from the slag-heap of ugly and tacky that was this year’s Grammys and Brits, so here we are.

Thandie Newton in Monique Lhuillier – Thandie, as she so very often is, was my best-dressed at this event. Not only is Ms Newton blessed with exquisite good looks but she seems to have exquisite taste too, as I can’t remember the last time I saw her put a foot wrong on the red carpet. It’s a dramatic gown in a dramatic colour, yet Thandie carries it off with effortless elegance. A dream.

Emma Stone in Lanvin – I’m still not sold on Emma as a blonde but this is an outfit she probably could have never worked as a redhead and she looks fabulous. Blake Lively wore a gown from the same collection and looked like she was auditioning to be some Valkyrie-inspired superhero; Emma looks like a gilded Grecian goddess. I love the warm colour palette that’s tying everything together, right down to her gold clutch and hoop earrings. That smile is just adorable. I just want to caterwaul ‘I’ve got a pocketful, pocketful of sunshine!’ every time I look at her.

Rosamund Pike in Alexander McQueen – I’ve loved Rosamund Pike’s style for years as she can make youthful edgy outfits feel classy and lady-like. This mustard McQueen is carefree boho grown up and done to red carpet standards (something I felt Mila Kunis didn’t quite pull off at the SAGs). Could her hair be any more perfect?

Amy Adams in Elie Saab – Yes! Amy Adams is back! Gone are the done-to-death jewel tones and instead we have a look that is just outrageously pretty. No one brings the pretty quite like Elie Saab and Adams positively glows. I never expected coral to work with red hair but Amy delightfully proves me wrong. This couldn’t get more springy and refreshing unless those shimmers came from a sprinkling of morning dew and a fluffy bunny bounded across the picture.

Julianne Moore in Tom Ford – I wanted Amy to step away from the jewel tones; I frankly couldn’t wait for Julianne to get back to them. After a really terrible run of late, which has seen Moore mired in a series of shapeless fits, unwarranted sleeves, unflattering colours and even a pair of knock-off Ugg boots, this marked a return to her red carpet best – old-school Hollywood glamour. The deep sapphire velvet gown, smouldering smoky eyes, bright red lips and tumbling Titian hair are just a perfect combo – and that’s before we’ve even mentioned the Tom Ford-shaped arm candy she sported for most of the night!

Gemma Arterton in YSL – My boundless love for Gemma (she was the sole reason I sat through St Trinians 2) is the main reason she’s here as I’m still undecided over whether the bed-head hair and gift-wrap bow work. What I am sure of is that she is working the hell out of it and that she should wear scarlet lipstick ALL the time. This isn’t a red carpet picture but it was the only one I could find where it’s obvious that her handbag is a fish, which is obviously all kinds of amazing. Marriage proposal’s in the post, Gemma.

Jameela Jamil in Dolce & Gabanna – There were lots of randomers on this red carpet, although thankfully, the Kardashians have yet to spread their tentacles across the Atlantic. Quite what Rachel Stevens, Sarah Harding or even Tracey Emin were doing there has yet to be explained and Jamil (a T4 presenter?) gets another shrug of the shoulders from me. She’s here purely on the merits of her dress, which is just gorgeous. However many tacky Anne Summers lingerie sets get produced, red and black will always be one of my favourite colour combinations and this dress is just so flirty and feminine – lace! ribbon! flowers! Another hit for red lippie too.

Bonnie Wright in Clements Ribeiro – Another victory for redheads, another victory for print and another victory for red hot lipstick. I like the dress a lot, even if there’s something a bit ‘charity lunch/day at the races’ about it, and the floral print is another deliciously light spring touch. Yet given how rarely I give two hoots about bags on the red carpet (unless they’re shaped like a fish obviously), that this drab black clutch sticks out quite so badly means it must be really awful.

Annette Bening in Marchesa – This dress makes me think of a snowflake. In a good way. I’m not sure I can get much more coherent than that.

Noomi Rapace in Givenchy Couture – Some are saying Vegas showgirl; I’m saying ghetto frigging fabulous! Ultimately, glitter appeals to our baser instincts (the kind that meant all your kindergarten artwork would invariably be covered in sequins given the chance) and in the same way that Marion Cotillard used to pep up proceedings with sequin-covered dresses that made her look like a mermaid or an angel, so it falls to another European actress to inject some vitality into the night. Sporting more gold bling than a rapper with a point to prove, Noomi looks sensational.

Jessica Alba in Atelier Versace – Alba is walking away with many people’s best-dressed of the night and whilst there’s no denying that this electrifying blast of cobalt is stunning on its own right, Jessica just never does it for me. She sits alongside Jessica Biel and Kate Bosworth as perennial red carpet bores, partly because they seem to have about as much personality as a tin of paint and partly because said tin of paint could probably out-act them too (I’d include Camilla Belle in this group yet I’ve never actually seen her act, or attempt to anyway). They could probably pull a Gaga or Bjork on the red carpet and merely elicit a yawn. Back to the outfit, which made her look pregnant – and she’s just announced that she is so pats on the back all-round – and yet another winning blast of crimson lips. Unlike many, I actually like the milkmaid plaits as well

Jennifer Lawrence in Stella McCartney – Lawrence continues to mine her saloon girl dress-up box with this dress, which might have been pretty had someone hoiked it up and superglued it about three inches higher. The cheap-looking choker makes her look like a heroine from the front cover of a Mills & Boon romance – from the 80s – but mostly, you just feel sorry for her boobs.

Emma Watson in Valentino – Let’s end things with everyone’s favourite. I’m going to come out and say it – I just do not like that hair. It has killed every one of Emma’s outfits of late for me, even the pretty ones, but I don’t particularly think this is one of those either. Whether it’s the washed-out colour, frill overload and mumsy print that makes her look frumpy, or whether it’s the frumpy hair that makes the dress look mumsy, I’m not sure. Either way, I can’t wait for her hair to grow back.

The more I’ve written about this red carpet, the more I’ve decided I liked it after all; it’s nice to see some people other than the usual Hollywood roll-call of likely suspects. Unusual prints, interesting colours and red lipstick worked to within an inch of its life – not a bad showing after all.

Red Carpet Rundown: Met Ball 2010, Part II

Kristen Bell in Diane Von Furstenberg – Until I watched Veronica Mars, I thought Kristen was just another generic perky blonde. Of course, I now realise she’s a whip-smart badass pocket rocket, albeit one who looks great in a pretty dress (something she rarely got to do in V Mars, where the show seemed to exist in a world where The OC hadn’t totally revolutionised how a teen show should be styled). Anyway, I really like this dress; it might look like my kids concocted it from newspaper for a papier-mâché sculpture but the ruffles, soft grey shades and subtle floral design are all lushly romantic.

Kate Bosworth in Valentino – Meanwhile, I’m pretty convinced that Kate Bosworth is just another generic perky blonde. In fact, less of the perky – she seems pretty dead behind her (differently-coloured) eyes. However, I’ll give her props – if indeed, I was the kind of person who gave out props, whatever they are – for this look. The dress is a murky shade of ugly, the shape is droopy and the old Hollywood waves are so overdone and yet… it just exudes class. It doesn’t provide the instant sugar rush of a hit of sequins or a flash of boob but it’s simply beautiful without looking like its trying too hard. Bosworth is still a lamp though.

Sienna Miller in Emilio Pucci – The jury’s out on how much of a generic perky blonde Miller is, primarily because she rarely manages to convey anything other than blankness in most of her roles. This is a curious case of the effects of Kate Bosworth’s dress working in reverse; I was originally sold on his midnight-blue number but I like it less each time I see it. Is it too much cleavage? Too much leg? Too much nanny-shagger glued to her arm? I do love the colour and the shoes and the overall feeling behind the dress but it’s sliding down from ‘gorgeous flamenco’ to ‘tacky can-can’ on the ‘what dancer would wear this?’ scale.

Blake Lively in Marchesa – Speaking of dancers, Blake is only a couple of maracas and a fruit-basket hat away from doing a samba on Strictly. That being said, I’m a fan of Strictly and I’m kind of a fan of this dress. Some say Blake breaks the cardinal rule of showing leg and boob at the same time but have a closer look – are we really seeing that much boob? Cookie Monster’s arm on her shoulder is preventing that… and with pins like that, I don’t blame Lively for getting them out whatever the occasion. Whoever decided to pull back her hair in whatever is the Hollywood equivalent of the Croydon facelift should take most of the credit, as it lets the flamboyant cobalt bolt of blue do the talking without the interrupt of flowing tresses – and this mini is a daring high-fashion choice.

Chanel Iman in Michael Kors – If we really wanna talk daring high-fashion choices, a gold lame jumpsuit surely takes the biscuit. I’m as surprised as anyone that a) this outfit exists as anything other than a costume for Snoop Dogg in Starsky & Hutch and b) that the Met Ball wasn’t audibly cracking from the static this generated and c) that Chanel totally rocks it. I guess being insouciantly beautiful helps.

Tina Fey in YSL – Just to remind us mere mortals why the jumpsuit is not a viable choice for anyone who isn’t Chanel Iman. I pity poor Tina for being taken in by her stylists, who no doubt told her this look was totally ‘in’ and would make her look ‘youthful’ and ‘on-trend’. It also makes her look like a fool. What’s wrong with it? (Apart from that it’s a jumpsuit.) The dropped crotch succeeds in making her legs look stumpy and her hips look wide, which is quite an achievement for just one detail. All this renders the stupid, pointless little bow barely noteworthy, but it’s there anyway as a final twee insult. Now’s the time to give the stylist marching orders, Tina… presumably whilst you make her wear a jumpsuit as penance. It really is the hair shirt of our decade.

Now for a quick game of Spot The Difference…

Emma Watson in Burberry; Kirsten Dunst in Rodarte; Taylor Swift in Ralph Lauren – I’m gonna declare Emma the winner of Bride Wars. She’s beautiful, the dress is beautiful, the cut is beautiful and there’s not really much more to it. There is a little more to Snaggletooth’s dress – more embellishment, more materials – that gives it a nice vintage feel, which suits Dunst down to the ground, but the clean lines of Watson’s dress still emerge victorious. And then you notice Snaggletooth’s 80s’ wedding shoes and lace popsocks and everything is ruined everyway. Taylor’s dress is signature Taylor – sweet, pretty, innocent – and the frills and lace and blonde ringlets have a bit of Georgian feel to them (the era, not the country). The whole look feels very angelic tragic Charles Dickens waif but that doesn’t make it any less successful. But who cares? My heart belongs to Hermione.