Tag Archives: Dianna Agron

Red Carpet Rundown: Met Gala 2011, The Best of the Rest

Oh my God, you guys! We made it! You made it! I made it! My final post on the Met Gala 2011. I thought the day would never come! All the rest of my posts were themed, but this is basically my brain throwing its arms up and saying ‘Enough!’

Emma Roberts in Michael Kors – Wow. For me, this is the best Emma Roberts has ever looked on the red carpet. Normally, her style is quite young and fresh but here she just oozes class, sophistication and maturity. I love the sneaky cut-out exposing just the tiniest ray of flesh – so sexy but still elegant. The hair is Kate Middleton perfect and the contrast vamp of the red nails is just the frosting on top of the cupcake.

Kristen Bell and Isla Fisher in Tory Burch – Two of my favourite girls in two of the most boring dresses. They don’t do anything much wrong but they don’t do anything much right either. That puff of smoke is me forgetting about them already.

Ginnifer Goodwin in Topshop – Some folk are up in arms that Ginnifer dared to wear Topshop to the Met. Did these people stop and actually look at the dress?! Honestly, if they weren’t told, I doubt they’d guess this wasn’t couture; it more than holds it own against the other gowns, if not bettering most of them. An amazing striking emerald green, a fantastic cut and all being sold with utter conviction by Ginnifer, who makes it look couture-worthy. I get a real Studio 54 vibe from this dress, the kind of thing Jerry Hall might have seduced Mick Jagger with on a yacht party. Arguably the matching necklace and eye make-up are slight overkill and I’m not sure what’s going on with the orthopaedic sandal, but the dress itself is a winner. [Meanwhile, the one no-one cares about from Gossip Girl also wore Topshop and instead looked like she took a wrong turn on her way to Gatecrasher.]

Evan Rachel Wood in Gucci Premiere – The gown is gorgeous. A wonderful, rarely-seen smoky aubergine colour, with a smattering of tasteful sparkle and a truly beautiful unusual neckline. But what’s with the Tin Tin quiff? There’s something about Wood that I just can’t get fully on board with; I find her persona quite contrived and vaguely smug, unlike say Dita Von Teese or Gwen Stefani who often do the 1950s screen siren too and feel like they’re living it rather than just playing a part. Sad to say Evan herself is the only thing stopping me from fully loving this look.

Rosie Huntingdon-Whiteley in Burberry – It’s pink. It’s shiny. It’s tacky. But it’s Rosie Huntingdon-Whiteley. And so it just became fabulous.

Dianna Agron in Michael Kors – On Through The Looking Glass, you’ve seen me fall in love with Dianna’s exquisite elegant Waspy style… and then rapidly fall out of love with it but a few weeks later. Well, I’m back on board with this baby! It’s a departure from her usual tea-dress and princess-hair combinations but this sort of chic simplicity suits her. A striking colour, an unusual neckline, an outfit-elevating gold cuff (less Wonder Woman, more Greek goddess) and whoever made the decision to pull that hair back into a sleek ponytail absolutely deserves an extra chocolate digestive with their cuppa tonight.

Lea Michele in Escada – Lea usually brings the drama to match her diva reputation but this gown is doing nothing for me… or her. The neckline is odd to the point of looking a little evil and stabby, the shape is too standard in a night of show-stealing gowns and even she looks rather unconvinced by it all. Fabulous clutch though.

Frieda Pinto in Chanel – I’ve not liked a single Chanel look this Met Gala (Kirsten Dunst, Blake Lively, Anna Wintour), although Frieda is just about radiant enough to make this look not as spectacularly stupid an idea as a skinny tie over a slinky gown should be. That neckline is unusual and beautiful enough to not need the tie frippery but now all I can think about when I see it is Avril Lavigne. And me thinking about Avril Lavigne is not conductive to me having any positive emotions whatsoever. Everything else about the look – the hair, the red lips, the fluidity of the fabric – is fantastic yet the tie?! Even a badly-dressed Apprentice candidate would shudder.

Michelle Williams in Miu Miu – The last time we saw Michelle Williams, she was wearing a shower curtain and not wearing a bra so just about anything would be an improvement on that. As it is, I think this is gown is actually rather wonderful. The gold swallow embroidery is done just the right amount without starting to look like a scene from The Birds and works to enhance rather than smother what is essentially an immaculately-cut black gown. Still hate the frumpy and middle-aged hair but I’ll take the dress to go, thanks!

Kristen Stewart in Proenza Schouler – I defended Kristen through the dark days where she’d scuttle down the red carpet like she was Viola from The Incredibles and now look… she’s smiling, no longer a hunchback and what’s this, maybe even a hint of red carpet posing too?! I’m so proud! I always prefer Kristen’s edgier ensembles to when she tries (and generally fails) to play it safe so this Proenza Schouler is a very good choice for her, with red and black always looking great against her colouring. Overall, I think it’s a really clean, modern, funky look (and I’ve obviously got an obsession with cuffs creeping in as I love them here too) – and for that reason, I wish it stopped somewhere nearer the knee area. But I’m more excited about seeing Kristen pull S-bends, smizing and giving fierce eyes in the near future. Too soon??

Amy Adams in L’Wren Scott – I love this dress on Amy; she looks about five thousand feet tall in this photo! I’ve not always been a fan of L’Wren Scott’s designs, as I feel the demure lengths and cuts tend to age some wearers, but this is great. The colour might be pretty delicate blush but the print is something a little more savage – it reminds me of the wild garden of thorns that Prince Philip had to hack his way through to awaken Sleeping Beauty with true love’s kiss. Connection to my (joint) favourite Disney movie of all-time? Check. Worn by a real-life Disney princess? Check again. All this, plus a disarmingly lovely milkmaid braid? How could I not love it?!

Isabel Lucas in Louis Vuitton – I like the dress, it’s a zingy watermelon colour that pops against the rest of proceedings, the pleating is pretty and those little gold bow-shaped studs are super-cute. But no-one’s looking at the dress. They’re looking at the bizarre virgin sacrifice adornment perched on top of Isabel’s head. Never has Coco Chanel’s advice about looking in the mirror and taking one piece off seemed more apt. And no, Isabel, before you start trying to put down that gorgeous gold ingot of a bag – it’s the headdress that needs to go! But practically the only thing I remember Isabel for – and it certainly ain’t her films – is always having one piece of utter insanity about her look, be it a sweatband, a strange hat, floral harem pants, odd coloured tights, eyebrows the wrong colour and, most memorably, a parasol. Charming or infuriating, it is her USP and let’s face it, a starlet needs one these days. It’s more than Kate Bosworth’s got anyhow.

The Olsens in Givenchy & Christian Dior – One day, the world will wake up and realise that the Olsen twins have been playing out a real life re-telling of the Emperor’s New Clothes. I don’t “get” Chloe Sevigny or Alexa Chung’s style, but I sort of understand why people do. But the Olsens? They generally look old – great-grandma made homeless and smelly old – with minor drug addict undertones. I also do not know which one is which and don’t wish to waste valuable seconds of my life in finding out so let’s just say that the one in the shapeless red designer potato sack looks better, basically just because she doesn’t look ill. The other one is wearing Barbara Cartland armbands as a style statement and looks like she has consumption. I’m sure they’re really nice people in real life…

Christina Hendricks in Carolina Herrera – I can’t remember the last time I saw Christina look good in anything other than a publicity shot for Mad Men. Suffice to say, adress with  a Dulux colour chart as its bodice and a really ugly oil painting that used to hang in my house as its bottom, is not going to break that chain. I’m intrigued by how they’ve managed to put sleeves on what the fashion gods surely intended to be a strapless sleeveless dress, but intrigued in a way that I want it solving on How 2 rather than in a ‘Wow, isn’t that fabulous way!’ way. Her skin looks beautiful though.

Zoe Saldana in Calvin Klein – And here’s how to do simple but stunning. This lemon yellow simple shift is like a palette cleanser to all the insanity that has gone before it and Zoe just looks like she’s skipped right out of a spring meadow smelling of daisies. I love the carefree cascading hair whilst the addition of a gold necklace peps up proceedings a little. It helps that no-one else wore this colour and that no-one else dared to play it quite this minimalist but when you’ve got a gorgeous girl in a gorgeous dress, very little can go wrong.

Kerry Washington in Escada – Did I mention that I like turquoise? Lucky Kerry therefore gets an easy pass for this relatively uncomplicated outfit, although those ultra-slimming cut-outs are a neat touch. Is the sea-foam shade plus the bubblegum pink lipstick plus the Monica humidity hair a bit too beach-ready? Oh screw it, her little Borrower clutch bag is too cute. Run by quick, before I change my mind.

Michelle Monaghan in Derek Lam – Is it me or has having a fringe completely changed Michelle Monaghan’s face? I showed some pictures of her plus bangs to my boyfriend and he swore that it wasn’t her. This gown is pulling a Zoe Saldana on me in making its minimalism work by way of a strong colour, although I like the shape less than Saldana’s. I’d even call it slightly austere-looking were it not for the fact that it is in bubblegum pink and calling anything bubblegum pink austere is just plain ridiculous. But the colour looks great against her hair and I love the contrast of the dark nails too. Am I still not convinced that this is Michelle Monaghan? Totally.

Elizabeth Banks in Tommy Hilfiger – I’ve mentioned a few times how Elizabeth Banks does absolutely nothing for me and yet every time I’ve featured her, she has duly decided to look stunning. Maybe I should send some curses Christina Hendricks’ way instead. This dress is just gorgeous. It’s that really yellow shade of gold that just looks so new and shiny and Midas-kissed that it bypasses all my vital senses and speaks straight to my inner Abu (you know, when he stuffs all the treasure down his top in the cave in Aladdin). Hair, make-up, jewellery – all flawless, all 50s screen siren worthy. So could you at least look happy about it, love?

Joy Bryant & Margherita Missoni in Missoni – Yes, your eyes do not deceive you, you are seeing knitwear at the Met Gala. Of course, colourful knitwear that looks like a Magic Eye painting is Missoni’s calling card (and yes, that is the second time I’ve name-checked Magic Eyes in these posts, high five!) so we shouldn’t really expect anything else from the designer. Joy’s still feels a little too casual, although I would definitely be interested in tasting the tropical cocktail that it was inspired by. Meanwhile, I am slightly in love with Margherita’s gown, a pretty pastel concoction that reminds me of Easter eggs. I’d change the slightly cheap-looking belt and give her a more romantic playful hair-do but otherwise, I’m picking Easter eggs over a Singapore Sling. Who’d have thunk?

Mila Jovovich & Anouck Lepere in Marni – The jury’s out on whether these dresses are a little too casual for the Met Gala but I really like both of them nonetheless. As ever, Mila is badass and WORKING hers like it’s the only LBD worth owning (and that embroidery is sooo pretty) whilst I love how Anouck has accessorised hers. It turns a dress with a print that looks like corporate artwork into something very funky and fashion and her loose waves are glorious. I actually want to wear both of these dresses, which despite my love for it, is not something I could say about Christina Ricci’s cobwebby confection.

Karlie Kloss & Angela Lindvall in Dior – Karlie Kloss is allegedly only 17 and gets to wear a stunning, gold, glittery Dior dress and look more self-assured and confident than most people in their thirties. (Angela Lindvall doesn’t look too shabby either.) Life sometimes really does seem unfair, right?!

P.S. Since I normally split my posts into favourites but haven’t here, plus you know I love lists, here’s my best-dressed from the event: 1) Gisele Bundchen 2) Diane Kruger 3) Liv Tyler 4) Chanel Iman 5) Christina Ricci, with honorable mentions going to Hilary Rhoda, Karolina Kurkova, Emma Roberts, Madonna, Zoe Saldana and SJP. And now I really am DONE!

Pictures: Just Jared, Style.com, Look.co.uk, Socialite Life, Huffington Post Style

Red Carpet Rundown: 2011 Oscar Parties, Part I

Yes, this is a month late but the 2011 Vanity Fair Oscar Party and Elton John’s AIDs Foundation’s Oscar Viewing Party turned out to be more interesting than the Oscars themselves. A boat-load of new celebrities crawled out the woodwork, toting gowns that were either gorgeous or grotesque – either way, it’s entertaining stuff. Be prepared to see more black lace than you’d wish for in a lifetime…

Dianna Agron in Salvatore Ferragamo – Remember me waxing lyrical about Dianna’s ‘exquisite elegant Wasp-y style’ that had a ‘modern-day Grace Kelly’ feel about it?! Well, despite writing this but one month ago, it seems that has been ample time for Dianna to prove my habit of cursing people’s red carpet styles is alive and well. Things started slowly, with some strange splotchy eye make-up at the SAGs but this gown edges things even further to the sartorial danger zone. It’s a fundamentally pretty dress in a fundamentally pretty colour but it should have been nipped in the bud at an off-the-knee length. Instead, the whole look is skewed towards the aged and droopy; factor in wilting hair plus sad eyes (it’s amazing what a tabloid break-up story can make you read into photographs) and it just looks frumpy and cheerless in a night where everyone else was reaching for their glad-rags. The Marion Cotillard poodle perm doesn’t seem that far away now…

Sofia Vergara in Zuhair Murad – At least good old Sofia is on hand to prove me right though. I earlier branded her va-va-voom style ‘vulgar’ and although I tried to steer clear of actually calling her slutty, when you wear outfits like this, surely you’re asking for it. This is underwear. It’s not even nice underwear. Avoid.

Jena Malone in Camilla + Marc – Clearly there was some sort of memo circulating suggesting that underwear was an acceptable dress code. Here is Jena Malone in her training bra and not much else. It’s just as horrible.

Madonna – It’s not just the young ‘uns turning up in their smalls though. Not to be outdone, here is Madonna in an even more horrible version of Jenna’s outfit. I guess the nasty fur gilet is what counts as Madge’s concession towards modesty these days. If you would like to see her butt cheeks (and you’re a braver soul than me), click here.

Michelle Rodriguez – More underwear, more sheer (literally, ho ho ho!) WTF-ness. A change of colour can’t salvage the fact that LOOKING AS IF YOU’VE TURNED UP IN YOUR UNDERWEAR IS WRONG.

Zooey Deschanel in Valentino – Zooey is included merely to prove to my boyfriend that his number one celebrity crush really does have crappy dress sense. I imagine he’s zooming in on the hunt for nipple on those strange plastic-looking boobs… about now. She is wearing tights as sleeves. She is also wearing four variants on black lace, in a night that has made the band who brought Agadoo to the world seem like the preferable use of the words. Seriously, what was with black lace at this party? Did you get a better goodie bag if you wore it?

Jessica Szohr – Another outfit, another misguided use of black lacy stuff… and this time it really does look like a last-minute attempt wrapped round a perfectly respectable outfit in order to get a better goodie bag. The design on this stuff looks like clothes left on a washing line, the overall effect is of a white skirt considered too dangerous to be let out in a public without a muzzle.

Paz de la Huerta – Paz forgoes the titillating black lace brigade to simply flash us her underwear straight up. Sisterhood points for the fact that they appear to be Bridget Jones big pants but even so…

Eva Mendes in Donna Karan – Either an evil black oversize butterfly or an evil black oversize bow tie wrapped itself around Eva’s torso and passed itself off as a top to some unsuspecting stylist. I’m pretty sure it also ate the bottom half of this outfit, as that netting is clearly an underskirt. Meaning it goes under something. And that something was about five sizes too big for Eva anyway.

Georgina Chapman in Marchesa – Black lacy stuff done well? WTF?! Although some may call this dress silly, I think it’s pure theatre, totally gorgeous and most importantly, doesn’t resemble underwear. [Chapman is the designer for Marchesa so the poor love probably has to pop down to Tesco in one of their massive structural ballgowns too]. It’s like the climax to an opera – overblown, dramatic, outrageous, enthralling – and even incorporates the flowers thrown on at the end (or is that just for figure skaters?). The way Georgina has picked up the pink of the roses in her earrings and lipstick is lovely too. Never has looking vaguely like a flamenco dancer’s pencil shavings looked so stunning.

Gabrielle Union in Diane Von Furgensberg – Let’s try and end this post on a classy note, shall we? (My purple obsession spreads to clothes too, you know). I just adore this deep rich aubergine jewel tone and the fluttery way the material drapes makes this pure goddess dress stuff. The darker, less revealing sister to Mila Kunis’ Oscar gown, it’s just beautiful.

Red Carpet Rundown: Screen Actors Guild Awards 2011, Part III

The Hmmms

My final red carpet rundown of looks from 2011’s SAG Awards that I liked… sort of… maybe…

Mila Kunis in Alexander McQueen – This is topping lots of people’s best-of lists and I get why, but it’s just a bit too hippy-chick earth-mother for me. I’m absolutely overjoyed that since discovering colour existed at the Golden Globes, Mila is sticking with brights and this shade of scarlet looks stunning with her colouring. There’s *yet more* L’Oreal worthy hair on show and the addition of the belt was a clever touch, as it gives a little shape to the sheer flowiness. But it’s just not my kind of dress. Imagine if she’d worn a slightly-shorter version of Tina Fey’s dress instead – I don’t think mankind’s hormones would ever recover.

Claire Danes in Louis Vuitton – From good belt to bad belt, this black one just feels too heavy and ugly for this dainty and delicate floral gown. And given that there’s a black thing dangling down that doesn’t appear to be part of the belt anyway, was the extra belt even necessary in the first place? However, in a red carpet swarming with simplicity (less kind people would say mediocrity), this ultra-pretty print stands out, especially given that Danes is usually one to head down the minimalist route. It might have a slight 70s curtain/tablecloth feel, but those appliquéd flowers at the bust are a really beautiful touch.

Helena Bonham Carter in Marc Jacobs – Believe it or not, HBC was actually on my list of ‘Yays’ at one point. That was before I saw that she’d showed up in those blasted sunglasses again – does she have some sort of eye condition (in which case, I am a truly horrible person)? Luckily, the photographers managed to coax her out the shades for most photos, yet this was the only shot I could find that shows off her super-cute ‘Pearls Of Wisdom’ clutch (matching the pearl necklace, wouldn’t you know). Having got angry at Helena’s contrived eccentricity with the mismatched shoes at the Golden Globes, this look shows effort being directed into the right places nicely. I absolutely love the lacy dress – it’s got a slight 50s ladies-who-lunch vibe to it and would look incredible with kid gloves – but the sheer shoulder straps almost ruin it for me (wish they’d been made out the bodice material instead). A lighter lipstick colour wouldn’t have gone amiss either but given this is Helena Bonham-Carter we’re talking about, I’d be amazed if there was any understated anything in her make-up box.

Amy Adams in Herve L. Leroux – You last heard me wishing for Amy Adams to recover her style mojo and step away from the jewel tones. I kind of got my wish, as here she is in blinding white, which was enough to make me give her a win without much thought. But then on closer inspection, I decided I didn’t actually like the dress too much (mummy’s bandages, anyone?!) and that maybe white wasn’t a great colour for her anyway. Perhaps if she’d let her awesome red hair down rather than sporting this severe pony, that would have broken the milkiness up – and scored her a potential L’Oreal commercial too.

Dianna Agron in vintage Chanel – True to form, as soon as I’ve hailed Dianna my latest red carpet one-to-watch, she goes and messes it up. Admittedly, this isn’t a balls-up of Marion Cotillard’s squashed boobs and poodle perm level because the dress is actually beautiful and typical Dianna. Feminine, classic, exquisitely pretty and working the underrated combination of navy and black; again, it’s got that whole 50s tea-dress thing going on and I’m experiencing those kid gloves urges again. The problem is the heavy smoky eye make-up (the same amateur who sooted-up Jennifer Lawrence?!), which doesn’t suit Dianna’s look at all. Shame.

Naya Rivera in Aurelio Costarella – Well, it was nice of Naya to attempt to put the girls away, but you can see they’re still squishing their way to a bid for freedom. This dress is understatedly lovely in a retro vintage way yet its clingy nature makes her look a little too slender for my liking… and most probably for her boobs’ liking too, as they desperately wonder how they’re being kept up by that tiny a ribcage. I like that she keeps switching up her style and doesn’t always give us the typical va-va-voom Latino look (more of them later), I LOVE that her lipstick complements her nail varnish, I’m not so keen on the lifeless limp hair. No L’Oreal commercial for you!

Sofia Vergara in Roberto Cavalli – I don’t like Sofia Vergara’s red carpet style at all. For me, she falls into every stereotype of a ‘Latino lovely’, always squeezing into va-va-voom dresses that hoist her boobs up somewhere near her hairline. I find her just that teensy bit vulgar – I know, grab Grandma over here the smelling salts – and just so Eva Longoria five years ago. Her and Cavalli are practically made for one another. She’s included because this might just be my favourite ever look from her, primarily because of that amazing electric cobalt blue colour and absolutely nothing to do with her boobs staring me cold in the eye. It’s essentially a slutty version of Kate Middleton’s Issa engagement dress and that dress was so lovely that even the slutty version ain’t half bad.

Eva Longoria in Georges Hobeika – Speak of the devil and she shall appear… This colour is absolutely dreamy (and since greys are going to be the spring trend for nails, why not dresses too?!) and I like Eva’s complimentary soft eye make-up (thank God the Agron/Lawrence make-up artist didn’t get to her). I actually even like the shapes that this dress makes but it’s essentially slutty on a classier scale – imagine the side-boob on that! I feel that Eva’s very overt style of glamour is losing relevance on the red carpet at the moment and will be interested to see how she evolves, especially once Desperate Housewives is over, but this could be a step in the right direction from the OTT ballgowns and big trains she usually favours. Sofia, say hi to yourself in five years… if you’re lucky enough to still be famous that is

Rosario Dawson in J. Mendel – Rosario misses the best-dressed list purely on being so meh in general. What films has she actually been great and really memorable in? *Racks brain* However, this pale lemon colour is just divine on her skin-tone though the shape is a little boring… but those turquoise earrings! Well, let’s just say, if I could have put them on their own on the ‘Yays’ list, they’d be there by now.

Red Carpet Rundown: Golden Globes 2011, Part II

I didn’t actually watch the 2011 Golden Globes ceremony, but I wonder if there was ever a time that a Glee cast member wasn’t in shot during the red carpet coverage. The whole cast turned up for the ball, even down to Becki, the cheerleader with Downs’ (where art thou, Howard Bamboo?!) and they made a surprisingly strong showing style-wise.

Dianna Agron in J. Mendel – Dianna has been one of my favourite newcomers to the red carpet as she has an exquisite elegant Wasp-y style that I’ve really taken too. She manages to take classic shapes and structures but make them look fresh and young, with a ‘modern-day Grace Kelly’ feel about her (now just watch her crash and burn in 2011, like my previous darling Marion Cotillard did this year, for which I’m blaming the pregnancy hormones). This gown is no exception to her tried and tested formula – it’s a little safe but it’s so pretty and ethereal and suits her so well that I really don’t care. Her flawless old-school Hollywood hair and make-up lift it (even if she does like a porcelain doll you’d be scared of dropping) but then there’s the edgy grunge of the nail varnish. Divine.

Lea Michele in Oscar de la Renta – I’m glad Lea’s taken to smiling again on the red carpet, as there was a period where she went all J.Lo sexy-face on us. This pale pink confection has a romantic innocence about it and I love the cascade of ruffles and asymmetrical neckline. OK, it does look a bit like pink bed-sheets draped just so and the colour really does remind me of frilly old lady loo paper but it has a sort of sweet drama to it that is quite charming. And the choice of the contrasting turquoise ring is inspired.

Jayma Mays in Alberta Ferretti – I absolutely get the intentions behind this Art Deco-style dress and applaud them wholeheartedly. Yet, for me, it just doesn’t work. Firstly, Jayma is so perfect as the cardigan-wearing, colour-popping Emma Pilsbury and she seems so damn perky in real-life too that my mind can’t quite process this sudden drastic change in style. It’s not that it’s smouldering, it’s not that it’s black, it’s not even that it looks like it could have come out of Granny’s attic – all looks I feel that Jayma could have pulled off individually (and has done in the past) – it’s that it’s all happening at once and has been laid on thicker than a copy of The Yellow Pages. Too much, too soon, and that’s before we’ve covered the spider’s sneeze of eye make-up. However, I want that fan clutch bag very badly indeed.

Amber Riley in Oliver Tolentino – This is just fabulous. Silver is a great colour for Amber (I daresay this is the best she’s looked on the red carpet… ever) and it feels like proper, expensive, heavy silver rather than cheap spangly tat from Primark. The belt is a nice twist that makes the whole look more interesting, the one shoulder works surprisingly well (I’d feared major spillage and squeezage the other side) and most importantly, she looks super confident and genuinely happy. No Zoolander-pouting here and when you see how wonderfully a real smile sets off an outfit, you wonder why A-listers got so addicted to the Blue Steel in the first place.

Jane Lynch in Ali Rahimi – The top half is near perfection, a lovely unusual shape that’s supremely flattering. It loses its way towards the voluminous bin bag bottom, with random nipple tassles scattered about with abandon, but it’s neither tracksuit nor trouser suit and is therefore, a stroke of brilliance.

Jenna Ushkowitz in Rebecca Taylor – Another role reversal. This time, the bottom half is a rather lovely fluttering of tulle ruffles, the top half slightly cheap-looking diamante-encrusted satin. But the cornflower blue is a lush colour, all too rarely seen on the red carpet, and works a treat on Jenna.

Heather Morris in Lorena Sarbu – Another confident grin works wonders with what could have potentially been a one-note outfit. It’s relatively simple, letting the sparkles do most of the talking, but they’re facing competition from just how naturally sparkly Heather seems to be in person. Her body’s absolutely smoking too. Those short butterfly sleeves are just immensely flattering.

Harry Shum Jnr in Kill City suit and Anto shirt – What’s this, a man?! Men don’t really have much choice when it comes to the red carpet – it’s either conform to black tie or be mocked forever after. You can’t really go wrong with a plain black suit and they do often act as an instant elixir to a male’s attractiveness, so normally I’d advocate the sheep mentality. Here, however, Harry shows how to do it different but get it so so right. By keeping to the black-and-white palette, he doesn’t look too weird and wacky, and by bow tie-ing it up, he’s still the right side of formal. But the checked shirt is a masterstroke and the smallest detail (the black line detail behind the buttons) saves it from the clutches of the Topman masses. Effortlessly cool, just the right amount of quirky but still utterly swoonsome. Nicely played my twinkle-toed friend, nicely played indeed.

Naya Rivera in Douglas Hannant – It must be hard to be as intrinsically sexy as Naya. She’d probably make a nun’s habit look shaggable. January Jones was probably put out when she saw that someone else was showing almost as much boob as she was, but the sweetness of the blush colour and floral detail very nearly offset the banger effect. And then the figure-hugging va-va-voom nature of the dress kicks in and it’s a bit of a lost battle. But it was nice while it lasted. And she still looks very lovely.

More men! Have I lost my mind?!

Well, here we see where else trying to be different can land you. Darren Criss negates all the class of an expensive Armani suit by wearing cheapo stag night comedy glasses. I imagine he thinks it adds character, but only if the character you were aiming for is ‘twat’.

Kevin McHale very nearly gets different right, with this spotted suit jacket. However, it just veers a little too close to bad lounge singer, the type bashing away at a piano although no-one’s listening, with slicked-back hair, cheesy grin, a permanently sweaty brow and car salesman patter (I may have put too much thought into this image). Close but not quite (I liked it the first few views), I applaud the effort. * Insert obvious where’s the wheelchair joke here *

Justin Bieber – Brownie points for spotting the non-Glee cast member. Further brownie points for spotting the cardinal sin committed here, aside from having a face like a smacked arse. If sneakers aren’t good enough for a tacky nightclub in Newcastle, why would they be good enough for the Golden Globes?!